National Performance Network (NPN), History by MK Wegmann
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National Performance Network (NPN), History by MK Wegmann

MK Wegmann, Renny Pritikin, Martha Wilson, Lyn Blumenthal, Anne Focke, Claire Copley, Renee Levine, Joan Jeffri, David White, John O'Neal, Linda Parris-Bailey, Ruby Lerner, Dudley Cocke, Bobbi Tsumagari, Loris Bradley, Holly Hughes, John Fleck, Karen Finley, Tim Miller, Peter Alexander, John Baldessari, Rosamund Felsen, Peter Plagens, Judy Spence, Kate Horsfield, Judy Moran, Joseph Celli, Pauline Oliveros, Mary Luft, Robert Mapplethorpe, National Performance Network, NPN, National Endowment for the Arts, NEA, Alternate ROOTS, Dance Theater Workshop, DTW, Contemporary Arts Center New Orleans, CAC, Los Angeles Institute of Contemporary Art, LAICA, New Langton Arts, Franklin Furnace, Video Data Bank, School of the Art Institute of Chicago, And/Or Gallery, Washington Project for the Arts, WPA, Rockefeller Foundation, Warhol Foundation, Ford Foundation, Highlander Center, Roadside Theater, Appalshop, National Campaign for Freedom of Expression, NCFE, New York Live Arts, Common Field, Southern Arts Exchange, Performing Arts Exchange, National Committee for Responsive Philanthropy, NCRP, Actors' Equity, New Artspaces, Beyond Survival, New Forms Regional Initiative, Expansion Arts Program, NEA Challenge Grant, Arts Money, The Emerging Arts, New Orleans, Los Angeles, New York, Chicago, Seattle, Atlanta, San Francisco, Whitesburg, alternative spaces, artist-led organizations, touring, cultural equity, racial equity, community-engaged art, cultural democracy, arts funding, Reagan administration, NEA Four, peer panels, multiculturalism, Economic Recovery Tax Act

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“NEA V. Finley: A Decision in Search of A Rationale” by Lackland H. Bloom Jr. in Washington University Law Quarterly, 1999
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“NEA V. Finley: A Decision in Search of A Rationale” by Lackland H. Bloom Jr. in Washington University Law Quarterly, 1999

Lackland Bloom, Karen Finley, John Fleck, Holly Hughes, Tim Miller, Robert Mapplethorpe, Andres Serrano, Sandra Day O'Connor, Antonin Scalia, David Souter, John Frohnmayer, Anne-Imelda Radice, Jesse Helms, Rohrabacher, Coleman, Seth Waxman, David Cole, Cass Sunstein, Owen Fiss, Kleinfeld, William Eskridge, Philip Frickey, Frederick Schauer, National Endowment for the Arts, NEA, National Council on the Arts, Institute of Contemporary Art, University of Pennsylvania, Southwest Center for Contemporary Art, Independent Commission, NEA v. Finley, Rosenberger v. University of Virginia, Rust v. Sullivan, Regan v. Taxation with Representation, R.A.V. v. City of St. Paul, FCC v. Pacifica Foundation, Cohen v. California, Texas v. Johnson, FCC v. League of Women Voters, Abood v. Detroit Board of Education, Piss Christ, The Perfect Moment, X Portfolio, First Amendment, viewpoint discrimination, unconstitutional conditions, arts funding, arts censorship, compelled speech, Section 954(d), decency, government subsidies

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Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc B
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Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc B

Ariel Dougherty, Olive Cheritree, Bob Carr, Pat Williams, Women's Studio Workshop, WSW, NEA, National Endowment for the Arts, NEH, National Endowment for the Humanities, Heritage Foundation, NAAO, National Association of Artists' Organizations, National Association of Women Artists, Museum of Modern Art, Hirshhorn Museum, Film Forum, Apple Computer, Congressional Arts Caucus, Women's Interart Center, Earth Onion Women's Theatre, Women Make Movies, Women's Community, Womenswork, Chrysalis Magazine, Feminist Press, Running Women Press, Camera Obscura, Feminist Radio Network, Women's Jazz Festival, Maine Association for Women in Film, Women's Legal Defense Fund, Women's Experimental Theatre, Art Resources Open to Women, Women's Caucus for the Arts, Women's Caucus for Art, Artemisia Fund, Hera Education Foundation, Women's Art Center, Heresies Collective, Midmarch Associates, Where We At Black Women Art, Gypsy Rainbow Dance Theater, Women's Resources, The Woman's Company, American Place Theatre, 13th Moon, New Victoria Publishers, Women Artist Filmmakers, Women in Film, Oakland Ensemble Theatre, Universal Jazz Coalition, Atlanta Women's Art Collective, Front Range, DC Slide Registry of Women Artists, Women in the Arts Foundation, Women In Design International, Creative Women's Collective, Olivia Records, Motion, At Foot of the Mountain, Spiderwoman Theatre, NY Feminist Art Institute, Women & Their Work, W.A.R.M., Concerted Effort, Pro Feminia Theatre, Calyx, TARTS, Teaching Artists To Reach Technological Savvy, Women's Work in Film & Video, Reauthorization of Foundation on the Arts and Humanities Act of 1985, women's cultural organizations, arts funding, NEA reauthorization, women in the arts, Congressional testimony, Women's Cultural Organizations and the NEA in the Early 1980s, New York, Los Angeles, Washington DC, Atlanta, Oakland, San Francisco, Brooklyn, Detroit, Minneapolis, Austin, Chicago, Boulder, Kansas City, Albany, Schenectady, Wakefield

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Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc A
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Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc A

Ariel Dougherty, Women's Studio Workshop, WSW, NEA, National Endowment for the Arts, NEH, National Endowment for the Humanities, Heritage Foundation, The Woman's Building, Women's Graphic Center, National Association of Women Artists, TARTS, Teaching Artists To Reach Technological Savvy, United Women's Art Fund, Women's Work in Film & Video, women's cultural organizations, arts funding, NEA reauthorization, women in the arts, Los Angeles, Women's Cultural Organizations and the NEA in the Early 1980s

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