“U.S. Cultural Policy: Its Politics of Participation, Its Creative Potential,” National Performance Network, by Roberto Bedoya, 2004
Roberto Bedoya, Jan Clifford, June Wilson, MK Wegmann, Kathie deNobriga, Maria Rosario Jackson, Mario Ontiveros, Cryril Reade, Joan Shigekawa, Sandra Sullivan, George Yudice, Evan Alderson, Robin Blaser, Theodor Adorno, Emmanuel Levinas, Chantal Mouffe, Dorothy Allison, Samuel Beckett, Bill Rauch, Ansel Adams, National Performance Network, NPN, Hallwalls, Highways, Highways Performance Space, Franklin Furnace, American Association of Museums, Americans for the Arts, American Symphony and Orchestra League, Opera America, Alliance of Artists Communities, National Alliance for Media Arts and Culture, NAMAC, National Association of Latino Arts and Culture, NALAC, Network of Cultural Centers of Color, NCCC, The Association of American Cultures, TAAC, Alternate ROOTS, Association of Independent Video and Filmmakers, AIVF, Atlatl, Pew Charitable Trusts, RAND Corporation, Center for Arts and Culture, Urban Institute, Princeton University Center for Arts and Cultural Policy Studies, Arts Policy and Administration Program, Ohio State University, Cultural Policy Center, University of Chicago, Doris Duke Charitable Foundation, Ford Foundation, National Endowment for the Arts, NEA, Nathan Cummings Foundation, Altria Group, Louisiana Division of the Arts, Arts Council of New Orleans, Arts International, Asian-American Arts Alliance, Cornerstone Theatre, Peer Arts Service Organization Partnership Project, PASO, Finley v. NEA, Rockefeller Foundation, New York University, Tana Coman, Debra Howell
NAAO Peer Arts Service Organizations Partnership Project, Minutes from April 1998 Meeting
Miriam Fuerle
Adora Dupree
Ruby Lerner
Carla Roberts
Helen de Michiel
Rudy Guglielmo
Abel Lopez
John Thorpe
Carla Peterson
Tom Borrup
Celia O'Connell
Fax to NAAO Board Members, “Reinventing theNational Endowment for the Arts,” December 1995
1993 NAAO Diversity Committee Correspondence, Including an Arts Wire Discussion and a 1991 NAAO Conference Panel Transcript
Penny Boyer, Michael Freed, Jeff Gates, Sara Kellner, Keith Antar Mason, Pat Murphy, Patrick O'Connell, Sylvia Orozco, Roberto Bedoya, Karin Higa, Stella McGregor, Joe Matuzak, Steve Durland, Gary O. Larson, Alexander Gray, Charlotte Murphy, Sarah Lutman, Marta Moreno Vega, Pedro Rodriguez, Dudley Cocke, Juana Guzman, John Thorpe, Jane Bello, Jo Long, C. Bernard Jackson, Bob Lee, Lowery Sims, C. Daniel Dawson, Kimberly Camp, Mel Chin, David Mendoza, Susie Kerr, Suzy Kerr, Keith Morrison, Pio Pulido, Ellie Covan, Katherine Griffith, Marshall Weber, Jill Burnham, Marianna Buchwald, Teresa James, Fred Wilson, Kai Nuni, Betti Sue Hertz, MEXIC-ARTE, Dixon Place, Beacon Street Gallery, Bronx Council on the Arts, Chicago Artists Coalition, Artists Television Access, Highways Performance Space, High Performance, Los Angeles Center for Photographic Studies, Artist Trust, University of Maryland, Smithsonian Institution, Experimental Gallery, National Campaign for Freedom of Expression, Corcoran Museum of Art, National Museum of American Art, Art Institute of Chicago, New Art Examiner, Walker Art Center, Houston Museum of Fine Arts, DiverseWorks, Lawndale Art and Performance Center, Hirshhorn Museum, Menil Collection, Jump-Start Performance Co., Art Emergency Coalition, Guadalupe Cultural Arts Center, Appalshop, National Association of Latino Arts and Culture, NALAC, Network of Cultural Centers of Color, The Association of Hispanic Arts, Carver Community Center, Inner City Cultural Center, Asian American Arts Center, Caribbean Cultural Center, 18th Street Arts Complex, ArtFBI, Hallwalls, The Hittite Empire, Individual Artists of Oklahoma, Visual AIDS, National Endowment for the Arts, NEA, 7th NAAO Conference, Washington DC, Maya Deren
“A History of Artist-Run Organizations” by Judy Moran
Judy Moran, Christopher Knight, Los Angeles Times, Richard Alpert, 80 Langton Street, New Langton Arts, San Francisco Art Dealers Association, Jacki Apple, Art in America, Lawrence Alloway, Ruth Iskin, The New Artspace, Los Angeles Institute of Contemporary Art, LAICA, Womanspace, Houston Center for Photography, Public Art Works, Women and Their Work, Beyond Baroque, P.S. 122, Headlands Center for the Arts, High Performance, Heresies, Artists Space, Committee for the Visual Arts, National Endowment for the Arts, NEA, Extraordinary Support for Artists Organizations, ESAO, Susan Sontag, Illness as Metaphor, George Lodge, James Gleick, Chaos Making a New Science, Vaclav Havel, Disturbing the Peace, Arthur Schlesinger Jr, Cycles of American History, William Graham Sumner, Roberto Bedoya, National Council for the Arts, MacArthur Foundation, Galleria de la Raza, Studio 24, Beacon Street Gallery and Theatre, Women's Counseling Center, Ralph Reed, Pat Robertson, Christian Coalition, Randolph Street Gallery, RSG, National Performance Network, NPN, Work Paper II Arts Boards Myths Perspectives and New Approaches, Quiet Crisis Report, Alvin Toffler, Powershift, College of Marin
“X12: One of the first off-shoots of the contemporary women's art movement…” by Vernita Nemec, Womanart Magazine, Summer 1976
Museum A Project for Living Artists, Cindy Nemser, Carolyn Mazzello, Agnes Denes, Silvianna, Silvianna Goldsmith, Lil Picard, Lawrence Alloway, Emily Genauer, Bob Levin, Nanette Ranone, Lois di Cosola, Iris Crump, Mary Ann Gillies, Helene Gross, Doloris Holmes, Inverna Lockpez, Arline Lederman, Doris O'Kane, Alida Walsh, X12, WomanArt, Art Workers Coalition, AWC, Women Artists in Revolution, WAR, Ad Hoc Women's Committee, SoHo 20, Second Story Spring Street Society, White Mask Theater, Artists Space, Rabinovitch & Guerra, CAPS, Graz Museum, Museum of Modern Art, Women Artists of America 1707-1964, Newark Museum, Mount Holyoke Celebrating the Coming of Age of Women as Creative Artists, Mount Holyoke, Women's International, New York
“Near Contact” by David Joselit and Amy Lien & Enzo Camacho, published by Common Practice New York, 2016
David Joselit, Amy Lien, Enzo Camacho, Matthew Shen Goodman, Miriam Katzeff, Common Practice New York, Artists Space, Printed Matter, Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum, Guggenheim Museum, New York Public Library, Lawrence Weiner, A.I.R. Gallery, Adam Weinberg, Judson Church, Rhea Anastas, Katherine Brewer Ball, Ralph Lemon, Stephen Levin, Park MacArthur, Nadja Millner-Larsen, Andrea Fraser, Lise Soskolne, Working Artists and the Greater Economy, W.A.G.E., Sabrina Blaichman, Neringa Černiauskaitė, Andrew Kachel, Clara Lopez, Cloé Perrone, Carla Acevedo-Yates, Center for Curatorial Studies at Bard College, CCS Bard, Bard College, Andy Warhol Foundation for the Visual Arts, Lambent Foundation, VIA Art Fund, New York City, Manila, Singapore
A Guide to Defunct Artist-Run Spaces, DC Edition. Edited by Natalie Campbell,Blair Murphy and Paddy Johnson, October 2017
Paddy Johnson, Blair Murphy, Natalie Campbell, Art F City, Beltway Public Works, BPW, Washington Project for the Arts, WPA, Museum of Temporary Art, MOTA, Civilian Art Projects, Jayme McLellan, Victoria Reis, Transformer, Decatur Blue, José Ruiz, Ryan Hackett, Javier Cuellar, Champ Taylor, Brian Balderston, Gabriel Martinez, Delicious Spectacle, Victoria Greising, Megan Mueller, Dan Perkins, Camden Place, Sam Scharf, FCDC, FightClub, Nick Pimentel, Lisa Garfield, Jason Conny, Anthony Smallwood, Dan Zeman, Jennifer Kessler, Stephanie Murdoch, FLEX, Calder Brannock, Billy Friebele, Jonathan Monaghan, Michael Dax Iacovone, Hardart, Rogelio Maxwell, Janet Schmuckal, The Hosiery, Gold Leaf Studios, Market 5 Gallery, John W. Harrod, Mott's Market Art, NoMüNoMü, Nora Mueller, Joseph Orzal, Outer Space, Chandi Kelley, Frank Adams, PASS Gallery, Richard Siegman, Pleasant Plains Workshop, Kristina Bilonick Royer, Porch Projects, Mariah Anne Johnson, Signal 66, Steve Lewis, Pat Rogan, Eric Gravely, John Figura, Space 4, Somewhere in Trinidad, Ray Hennessy, Sneak Preview, David Bethuel Jamieson, Maureen Leak, Peter Stebbins, The Warehouse, Molly Ruppert, Paul Ruppert, Washington Women's Arts Center, WWAC, Barbara Frank, Richard Squires, Marta Minujin, Alice Denney, Howard Finster, Bad Brains, Arlington Arts Center, Torpedo Factory, Capitol Hill Arts Workshop, DC Commission on the Arts and Humanities, DC Redevelopment Land Agency, RLA, Pennsylvania Avenue Development Corporation, PADC, Corcoran Gallery of Art, Eastern Market, Blagden Alley, Dupont Circle, Howard University, Kennedy Center, Hirshhorn Museum, Phillips Collection, National Museum of Women in the Arts, Kresge Foundation, Washington Convention Center, Gallaudet University, Catholic University, George Mason University, American University, Washington DC
Jim Melchert, Director of the NEA Visual Arts Program, Annual Report 1980
Memo from Mary Hayter to Senator Heinz about Annie Sprinkle, April 1990
“Ministry of Truth: The Trump administration turned the federal government into an arbiter of truth… a group of artists and researchers fought back,” by Anita Little, ACLU Magazine, Spring 2026
Marta Martínez, Rhode Island Latino Arts, RILA, National Queer Theater, Theater Offensive, National Endowment for the Arts, NEA, Vera Eidelman, David Cole, William Smith, Sandra Day O'Connor, NEA v. Finley, Trinity Repertory Company, Providence, First Amendment, Administrative Procedure Act, Executive Order 14168, Criminal Queerness Festival
“The Art Workers’ Coalition: not a history” by Lucy Lippard, Studio International Journal, November 1970
Art Workers' Coalition, AWC, Lucy Lippard, School of Visual Arts, Museum of Modern Art, MOMA, Jean Toche, Jon Hendricks, Poppy Johnson, Guerrilla Art Action Group, Artists Tenants Association, Kestutis Zapkus, Hilton Kramer, Don Judd, Donald Judd, Carl Andre, Ad Reinhardt, Richard Artschwager, Robert Smithson, Philip Leider, Richard Serra, Takis, Vassilakis, Artists and Writers Protest, Art Strike, Soho Artists Association, Metropolitan Museum of Art, Whitney Museum, Guggenheim Museum, Jewish Museum, Black Panthers, Chicago Seven, My-Lai
Lunch with Justice Scalia: A Liberal Artist Meets a Conservative Judge for Lunch by Sara Kellner
Edward Jones' Masters Thesis, “Perspectives: The Emergence of the Artists' Space Movement,” December 1984
Edward Jones, Irving Kaufman, Jacob Rothenberg, City College of New York, City University of New York, Jacki Apple, Billy Apple, Jeffrey Lew, Holly Solomon, Horace Solomon, Richard Nonas, Jene Highstein, Stefan Eins, Willoughby Sharp, Martha Wilson, Claire Copley, Gordon Matta-Clark, Alanna Heiss, Suzanne Harris, Jerry Vis, Bill Beirne, Carol Parkinson, Tina Girouard, Martha Wilson, Trudie Grace, Linda Shearer, Jock Reynolds, Joy Silverman, Brian O'Doherty, Thomas Hut, Henry Geldzahler, Phillip Glass, Joseph Kosuth, Richard Landry, Kynaston McShine, James Rosenquist, Marcia Tucker, Lucy Lippard, Sol LeWitt, Carl Andre, Jean Cassou, Hilton Kramer, Linda Nochlin, Joan Jeffri, Sally Webster, Lacy Davisson, Lynne Warren, Robyn Brentano, Mary Delahoyd, Bob Smith, Alfred Stieglitz, New York State Council on the Arts, National Endowment for the Arts, Committee for the Visual Arts, Artists Space, 112 Greene Street, 98 Greene Street, 3 Mercer, Apple, Franklin Furnace, Franklin Furnace Archive, Institute for Art and Urban Resources, P.S. 1, Center for New Art Activity, Fashion Moda, Los Angeles Institute of Contemporary Art, LAICA, Holly Solomon Gallery, Copley Gallery, Avalanche Magazine, New Museum, New York University, Los Angeles, New York, Chicago, SoHo, Bronx, Fluxus, Experiments in Art and Technology, Hyde Park Art Center, Judson Memorial Church, Photo Secession Gallery, Momentum
WORKS (San Jose, CA) Organizational Brochure
Lawndale (Houston, TX) Newsletter, July 1979
Lawndale Annex, University of Houston, James Surls, George Bunker, Gail Stack, David Hickman, Don Woodman, Ed Hill, Don Marshall, Contemporary Art Center, New Orleans, Keith Ferris, Trinity House Co-op Gallery, Austin, Linda Surls, Dallas Womens Co-op, Dallas, Clyde Connell, Greater Gator Group, Roberto Molina, Houston, Luanne Stovall, Galveston, Bert Long
Information and Correspondence from the Institute of Contemporary Art at the Virginia Museum, 1979
Correspondence from 1708 EAST MAIN to other alternative space galleries, October 1978
San Francisco Bay Area Artists’ Organizations List, a Project of the NAAO San Francisco Caucus
NAAO New Member Letters & Renewal Letters, various years
Robin Drummond, Portland Center for the Visual Arts, Claire Copley, Charlotte Murphy, Hudson, Jessica Cusick, MK Wegmann, Judy Moran, Inverna Lockpez, Louise Shaw, Lynn Schuette, Marilyn Arsem, David Avalos, Centro Cultural de la Raza, Claudia Barker, Gere Baskin, Detroit Focus, Jackie Battenfield, Rotunda Gallery, Sherman Fleming, Washington Project for the Arts, WPA, Biff Henrich, Hallwalls, C.E.P.A, Alan Millar, Lab Art Re Grup, Michael Peranteau, Diverse Works, Judith Thorpe, Society for Photographic Education, Susan Wyatt, Artists' Space, Nexus Contemporary Art Center, INTAR, Susan Born-Ozment, John Frohnmayer, Jesse Helms, Dick Armey, Helms Amendment, National Campaign for Freedom of Expression, Pat Williams, Don Adams, Arlene Goldfarb, Alliance for Cultural Democracy, Glen Harper, Art Papers, Michelle Wallace, Vince Leo, Penny Boyer, Mary Drayton-Hill, New Works Collaborative Touring Program, Organizing Artists, Helen Brunner, Don Russell, Minneapolis, Austin, Buffalo, Los Angeles, LACE