“The Art Workers’ Coalition: not a history” by Lucy Lippard, Studio International Journal, November 1970
Lunch with Justice Scalia: A Liberal Artist Meets a Conservative Judge for Lunch by Sara Kellner
Edward Jones' Masters Thesis, “Perspectives: The Emergence of the Artists' Space Movement,” December 1984
Edward Jones, Irving Kaufman, Jacob Rothenberg, City College of New York, City University of New York, Jacki Apple, Billy Apple, Jeffrey Lew, Holly Solomon, Horace Solomon, Richard Nonas, Jene Highstein, Stefan Eins, Willoughby Sharp, Martha Wilson, Claire Copley, Gordon Matta-Clark, Alanna Heiss, Suzanne Harris, Jerry Vis, Bill Beirne, Carol Parkinson, Tina Girouard, Martha Wilson, Trudie Grace, Linda Shearer, Jock Reynolds, Joy Silverman, Brian O'Doherty, Thomas Hut, Henry Geldzahler, Phillip Glass, Joseph Kosuth, Richard Landry, Kynaston McShine, James Rosenquist, Marcia Tucker, Lucy Lippard, Sol LeWitt, Carl Andre, Jean Cassou, Hilton Kramer, Linda Nochlin, Joan Jeffri, Sally Webster, Lacy Davisson, Lynne Warren, Robyn Brentano, Mary Delahoyd, Bob Smith, Alfred Stieglitz, New York State Council on the Arts, National Endowment for the Arts, Committee for the Visual Arts, Artists Space, 112 Greene Street, 98 Greene Street, 3 Mercer, Apple, Franklin Furnace, Franklin Furnace Archive, Institute for Art and Urban Resources, P.S. 1, Center for New Art Activity, Fashion Moda, Los Angeles Institute of Contemporary Art, LAICA, Holly Solomon Gallery, Copley Gallery, Avalanche Magazine, New Museum, New York University, Los Angeles, New York, Chicago, SoHo, Bronx, Fluxus, Experiments in Art and Technology, Hyde Park Art Center, Judson Memorial Church, Photo Secession Gallery, Momentum
“New Dimensions for Artists' Spaces” by Stephen Sinclair, Cultural Post, May-June 1981
Stephen Sinclair, Nancy Drew, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, MK Wegmann, Ann Focke, And/Or, Artech, Al Nodal, Washington Project for the Arts, WPA, Martha Wilson, Franklin Furnace, Hallwalls, Cincinnati Artists Group Effort, C.A.G.E, Kip Eagan, Women and Their Work, Rita Starpattern, Claudia Reese, Maxine Kumin, Adrienne Rich, May Swenson, James Surles, Lawndale, Carolee Schneemann, Mary Min, Artists Residents of Chicago, ARC, Jane Stevens, Margaret Peterson, Chris Millon, Marcia Sartwell, Seattle, Buffalo, Cincinnati, Austin, Houston
NEA Prentice Hall book about the business life of an artist, chapter by Nancy Drew with Carrie Rickey and statement by James Corcoran, 1981
Nancy Drew, Carrie Rickey, Elsie Walker, Lee Caplin, Brian O'Doherty, A.I.R, N.A.M.E, New York Institute of Art and Urban Resources, Clocktower, P.S. 1, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, The Kitchen, And/Or, NOVA, Boston Visual Artists Union, BVAU, Jet Wave, Collaborative Projects, Colab, James Corcoran, James Corcoran Gallery, Corcoran and Corcoran, Castelli/Feigen/Corcoran, Leo Castelli, Billy Al Bengston, Sam Francis, Charles Arnoldi, Willem de Kooning, H.C. Westermann, Joseph Cornell, Margo Leavin, Jan Baum, Asher/Faure, Janus, Rosamund Felsen, Newspace, L.A. Louver, Arco, National Endowment for the Arts, NEA, Prentice Hall, Seattle, Los Angeles, New Orleans, Cleveland, Boston, Miami
“Independent Film Programing: A Word to the Wise” by Terry Cannon, Media Arts, 1983
Terry Cannon, Pasadena Filmforum, NAMAC, Anthology Film Archives, Pinewood Foundation, Virginia Strull, Astoria Motion Picture and Television Foundation, Schenectady Museum, Jewish Museum, Parsons School of Design, George Trescher Associates, Collective for Living Cinema, Business Committee for the Arts, National Endowment for the Arts, NEA, National Endowment for the Humanities, NEH, Pasadena, Manhattan
Article by Linda Burnham in High Performance Magazine reporting on NAAO Minneapolis Conference, 1989
Linda Burnham, Cynthia Breslauer, Charlotte Murphy, Penny Boyer, Inverna Lockpez, Susan Wyatt, Nayland Blake, Xenia Xed, Asiba Tupahachee, Ishmael Houston-Jones, Mark Murphy, Terry Galloway, Carmelita Tropicana, Mark Russell, Dred Scott Tyler, Jesse Helms, Frank Hodsoll, Andres Serrano, Robert Mapplethorpe, High Performance, Intermedia Arts Minnesota, INTAR Gallery, Artists Space, New Langton Arts, ICA Philadelphia, Southeastern Center for Contemporary Arts, SECCA, Hennepin Center, Landmark Center, Minneapolis, San Francisco, Atlanta, Long Island, New York City, St. Paul, Interior Appropriations Bill
“Orcas Conference” by Charlotte Murphy
“NEA V. Finley: A Decision in Search of A Rationale” by Lackland H. Bloom Jr. in Washington University Law Quarterly, 1999
Lackland Bloom, Karen Finley, John Fleck, Holly Hughes, Tim Miller, Robert Mapplethorpe, Andres Serrano, Sandra Day O'Connor, Antonin Scalia, David Souter, John Frohnmayer, Anne-Imelda Radice, Jesse Helms, Rohrabacher, Coleman, Seth Waxman, David Cole, Cass Sunstein, Owen Fiss, Kleinfeld, William Eskridge, Philip Frickey, Frederick Schauer, National Endowment for the Arts, NEA, National Council on the Arts, Institute of Contemporary Art, University of Pennsylvania, Southwest Center for Contemporary Art, Independent Commission, NEA v. Finley, Rosenberger v. University of Virginia, Rust v. Sullivan, Regan v. Taxation with Representation, R.A.V. v. City of St. Paul, FCC v. Pacifica Foundation, Cohen v. California, Texas v. Johnson, FCC v. League of Women Voters, Abood v. Detroit Board of Education, Piss Christ, The Perfect Moment, X Portfolio, First Amendment, viewpoint discrimination, unconstitutional conditions, arts funding, arts censorship, compelled speech, Section 954(d), decency, government subsidies
Harnessing the Power of Feminist Arts Organization, prepared by Joanne Sandler (principal author), Sara Gould, and Idelisse Malavés
Joanne Sandler, Sara Gould, Idelisse Malavé, Stacey Smith, Vanina Serra, Monica Enriquez Enriquez, Ruby Johnson, Amy Mannarino, Mara Kurlandsky, Rita Starpattern, Carol Taylor, Deanna Stevenson, Lenore DeKoven, Morna Murphy Mortell, Ariel Dougherty, Sheila Paige, Ann Kalmbach, Tatana Kellner, Anita Wetzel, Barbara Leoff Burge, Chris Cowden, Cynthia Lopez, Terry Lawler, Debra Zimmerman, Lauren Walling, Carolee Schneeman, Julie Dash, Dee Rees, Rachel Morrison, Crystal Emery, Lisa Jackson, Beili Liu, Abigail Disney, Barbara Kopple, Ellen Burstyn, Ellen Kuras, Sheila Nevins, Mira Nair, Christine Vachon, Thelma Schoonmaker, Pauline Kael, Sarah Jessica Parker, Laura Dern, Gabourey Sidibe, Robin Wright, Laura Garanzuay, Rachel Stuckey, Kelley McClure, Diane Sikes, Connie Arismendi, Simone Pero, Duana Butler, Tina DiFeliciantonio, Kristen Fitzpatrick, Jennifer Naylor, Kerry McCarthy, Erin Zona, Women's Arts Consortium, WAC, Women's Studio Workshop, WSW, Women Make Movies, WMM, New York Women in Film & Television, NYWIFT, Center for Women & Their Work, CW&TW, Ford Foundation, Society for International Development, University of Southern California, Media Diversity and Social Change Initiative, Metropolitan Museum of Art, Library of Congress, New York Public Library, Museum of Modern Art, Foundation Center, Candid, International Documentary Association, Center for the Study of Women in Film and Television, Motion Picture Academy, feminist art, women in film, intersectionality, MeToo, Time's Up, MUSE Awards, artist residencies, Designing Women, Getting Real, Response to Hate, Women's Marches, 50/50 by 2020, Austin, New York
Kim Chan Remembers Celebrate 69
Kim Chan, Tim Miller, Holly Hughes, Karen Finley, John Fleck, Jan Rothschild, Charlotte Murphy, Bill Warrell, Penelope Boyer, Jim Epstein, Perry Jude, Alan Prokop, Debra Singer, Margaret Schnipper, Brian Tate, Tim Turner, Victoria Reis, Saied Azali, Finley, Hughes, Miller, Murphy, Washington Performing Arts, d.c. space, NAAO, National Association of Artists' Organizations, National Campaign for Free Expression, Washington Project for the Arts, WPA, 15 Minutes Club, Perrys Washington DC, Dance Place, National Gay and Lesbian Task Force, NGLTF, The DC Arts Center, DC Committee to Promote Washington, OUT/DC, Transformer, Siren Arts, Jacob's Pillow, The Kennedy Center, NEA Four, culture wars, free expression, censorship, Washington DC, Asbury Park
On Edge: Alternative Spaces Today by Robert Atkins (1998)
Peter Taub, Paul Brenner, Geno Rodriguez, Ann Hatch, Ann Philbin, Helene Winer, Janelle Reiring, Kerry James Marshall, Jane Saks, Jeff Jones, Robert Crane, Holly Block, Cee Scott Brown, Anne Pasternak, Will Wilkins, Hilton Kramer, Jeff Gates, Xu Bing, Robert Blanchon, Leon Golub, Eve Laramee, Lauren Lesko, James Luna, Rosy Martin, Muntadas, Esther Parada, Carolee Schneemann, Andres Serrano, Rikrit Tiravanija, Cindy Sherman, Robert Longo, Taub, Bedoya, Serrano, Franklin Furnace, Randolph Street Gallery, NAME, Washington Projects for the Arts, WPA, Corcoran Gallery of Art, Capp Street Project, Alternative Museum, NAAO, Drawing Center, PS1, New Museum of Contemporary Art, 98 Greene Street, Apple, 112 Workshop, White Columns, New Langton Arts, DiverseWorks, Hallwalls, Nexus Contemporary Art Center, The Kitchen, Sushi, Aljira, Artists Television Access, Metro Pictures, Geraldine R. Dodge Foundation, Joyce Merz Gilmore Foundation, Art in General, Art Matters, Real Art Ways, MacArthur Foundation, Visual Studies Workshop, Art Papers, VIVA! Lesbian and Gay Latino Artists, Art FBI, COCA, Center On Contemporary Art, LACPS, Los Angeles Center for Photographic Studies, LACE, Los Angeles Contemporary Exhibitions, San Francisco Mime Troupe, Women's Philharmonic Orchestra, School of the Art Institute of Chicago, California College of Arts and Crafts, Pierogi, Artists Space, Civilian Warfare, Gracie Mansion, New York State Council on the Arts, Arts Challenge Fund, Creative Time, Spiderwoman Theatre, File Room, T-Race, P-Form, NEA Four, alternative spaces, arts funding, Culture Wars, NEA funding cuts, earned income, On Edge, Art in America, Chicago, New York, San Francisco, Houston, Buffalo, Hartford, Newark, Atlanta, Seattle, Los Angeles, Washington DC
Movement Building for Beginners by Abigail Satinksky (2016)
