“Survival Tactics Top Priority for Artists' Organizations” by Elizabeth Hoxie, New Art Examiner, December 1983
Elizabeth Hoxie, Lyn Blumenthal, Video Data Bank, Art Institute of Chicago, Robert Lawrence, Interchange, Mary MacArthur, The Kitchen, Allan Kaprow, Hugh Southern, N.A.M.E, Randolph Street Gallery, Artemisia Gallery, Chicago Filmmakers, Blackstone Hotel, Hudson, Nexus Gallery, Bill Stamets, New Art Examiner, David Stockman, Chicago, Atlanta, Cincinnati, Washington
“The Art World: Alternatives” by Calvin Tomkins, The New Yorker, December 1983
Calvin Tomkins, Linda Shearer, Stefan Eins, Fashion Moda, Marcia Tucker, New Museum of Contemporary Art, Artists' Space, Trudie Grace, Irving Sandler, Helene Winer, Vito Acconci, Jon Borofsky, Sol LeWitt, Scott Burton, Claes Oldenburg, Christo, Judy Pfaff, Al Held, Ernst Benkert, Sally Hazelet Drummond, Mowry Baden, Mark Rothko Foundation, Sahara Belbeaux, Jacqueline White, John Ahearn, Jean-Michel Basquiat, Keith Haring, Futura 2000, Sidney Janis Gallery, New School for Social Research, Edward Broida, Broida Museum, Lynn Gumpert, Ned Rifkin, New York State Council on the Arts, Committee for the Visual Arts, Guggenheim, Whitney Museum, James Rosenquist, Richard Tuttle, United States Information Agency, Venice Biennale, Washington, South Bronx, SoHo, TriBeCa, Minneapolis
“New Dimensions for Artists' Spaces” by Stephen Sinclair, Cultural Post, May-June 1981
Stephen Sinclair, Nancy Drew, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, MK Wegmann, Ann Focke, And/Or, Artech, Al Nodal, Washington Project for the Arts, WPA, Martha Wilson, Franklin Furnace, Hallwalls, Cincinnati Artists Group Effort, C.A.G.E, Kip Eagan, Women and Their Work, Rita Starpattern, Claudia Reese, Maxine Kumin, Adrienne Rich, May Swenson, James Surles, Lawndale, Carolee Schneemann, Mary Min, Artists Residents of Chicago, ARC, Jane Stevens, Margaret Peterson, Chris Millon, Marcia Sartwell, Seattle, Buffalo, Cincinnati, Austin, Houston
Correspondence with New Times Magazine about a possible article on alternative arts spaces, 1976
NAAO Organizational Assistance Program - Application and Announcement of Grant Recipients
“Aesthetic Arrest: The View from NAAO: An Interview with Charlotte Murphy” by Chris Westberg, High Performance Magazine, Spring 1990
Charlotte Murphy, Chris Westberg, Penny Boyer, Mary Drayton Hill, Susan Wyatt, Jesse Helms, Frank Hodsoll, Donald Wildmon, Patrick Buchanan, Alphonse D'Amato, Christina Orr-Cahall, Dick Armey, Wendy Leurs, Roy Goodman, Harvey Litchenstein, Andres Serrano, Robert Mapplethorpe, Washington Project for the Arts, WPA, Corcoran Gallery, Artists Space, American Family Association, American Alliance, American Association of Museums, National Assembly of State Arts Agencies, American Symphony Orchestra League, ICA Philadelphia, Southeastern Center for Contemporary Arts, SECCA, National Endowment for the Arts, NEA, National Council on the Arts, High Performance, Washington, North Carolina, Minneapolis, New York
Article by Linda Burnham in High Performance Magazine reporting on NAAO Minneapolis Conference, 1989
Linda Burnham, Cynthia Breslauer, Charlotte Murphy, Penny Boyer, Inverna Lockpez, Susan Wyatt, Nayland Blake, Xenia Xed, Asiba Tupahachee, Ishmael Houston-Jones, Mark Murphy, Terry Galloway, Carmelita Tropicana, Mark Russell, Dred Scott Tyler, Jesse Helms, Frank Hodsoll, Andres Serrano, Robert Mapplethorpe, High Performance, Intermedia Arts Minnesota, INTAR Gallery, Artists Space, New Langton Arts, ICA Philadelphia, Southeastern Center for Contemporary Arts, SECCA, Hennepin Center, Landmark Center, Minneapolis, San Francisco, Atlanta, Long Island, New York City, St. Paul, Interior Appropriations Bill
Press Releases Announcing the Founding of NAAO
“Life Beyond Survival: Building a National Network at the Second Conference of Alternative Spaces,” by Michael Bonesteel, New Art Examiner, June 1981
“Will the White House Become an Alternative Space?” by Kay Larson, Village Voice, June 5, 1978
“Jo-Anne Birnie Danzker Reconsidering Parallel Galleries,” author unknown, Vanguard, June-July 1978
Jo-Anne Birnie Danzker, Robert Smith, Bob Smith, Michael Asher, David Askevold, John Baldessari, Allan Kaprow, Geoffrey James, Glenn Lewis, Bill Kirby, Jessica Bradley, Ian Wallace, Russell Keziere, Brenda Wallace, Claude Gosselin, Peggy Gale, Clive Robertson, Marien Lewis, Michael Morris, Bob Stearns, Rosalee Goldberg, Brian Dyson, Babs Shapiro, Marcella Bienvenue, Peter Fraser, Tanya Rosenberg, James Pomeroy, Anne Focke, Janet Kardon, Alanna Heiss, Phil Patton, Kay Larson, Los Angeles Institute of Contemporary Art, LAICA, Association of National Non-Profit Artists Centres, ANNPAC, Canada Council, A Space, Artons, The Western Front, Art Metropole, CEAC, Winnipeg Art Gallery, Ontario Arts Council, The Kitchen, Parallelogramme, Parallelogramme Retrospective, Alberta College of Art, Shoestring Gallery, Clouds and Water, Galerie Media, Eighty Langton Street, Philadelphia College of Art, Institute for Art and Urban Resources, B.C. Cultural Fund, Strike magazine, Art in America, ARTnews, Vanguard, New Artsspace Conference, Santa Monica, Los Angeles, Calgary, Toronto, Vancouver, Winnipeg, Montreal, San Francisco, Seattle, New York, Philadelphia
“Report by Mary Stofflet: The New Artsspace,” La Mamelle, Summer 1978
“Opting Out and Buying In,” by Howard Singerman, LAICA Journal no. 19, June 1978
“Is There Space for Alternatives? LAICA Conference,” by Virginia Hillix, New Art Examiner, June 1978
“Los Angeles in Search of The New Artsspace: L.A.I.C.A. Conference, April 26-29th,” by Russell Keziere, Criteria, Spring 1978
Russell Keziere, Alanna Heiss, Edit deAk, Marcia Tucker, Tucker, Michael Morris, Carl Loeffler, Allan Kaprow, Kaprow, John Baldessari, Baldessari, David Askevold, Michael Asher, Asher, Dorit Cypis, Marien Lewis, Los Angeles Institute of Contemporary Art, LAICA, PS 1, Western Front, A Space, Open Space, Criteria, The New Artsspace, First National Conference of Alternative Visual Arts Organizations, Los Angeles
“New Artsspaces — A Conference Overview” by Melinda Wortz, Artweek, May 27, 1978
Melinda Wortz, Robert Smith, Lawrence Weiner, Weiner, Robert Irwin, Irwin, Alanna Heiss, Ruth Iskin, Jim Melchert, Henry Hopkins, Walter Hopps, Hopps, Marcia Tucker, Tucker, Jim Elliott, David Ross, Ed Levine, Janet Kardon, Dana Rust, Renato Danese, James Reinish, Stephen Reichard, David Askevold, Michael Asher, John Baldessari, Baldessari, Lowell Darling, Los Angeles Institute of Contemporary Art, LAICA, National Endowment for the Arts, NEA, Institute for Art and Urban Resources, New York State Arts Council, The Kitchen, PS 1, Artweek, The New Artsspace, First National Conference of Alternative Visual Arts Organizations, Los Angeles
The New Art Examiner, Midwest Edition, March 1981
New Art Examiner, New Art Association, Jane Allen, Derek Guthrie, Michael Bonesteel, Thomas Garver, Judd Tully, Robert Arnebeck, Lawrence Lowic, Mark Michael Leonhart, Al Nodal, Paul Krainak, Martha Wilson, Sally Eckhoff, Sally Webster, Anita O'Neill, Lynn Kearney, Rebecca Crumlish, Helene Winer, Marylyn Crank, Leslie Kuter, Alanna Heiss, Marcia Tucker, Dieter Kearse, Janelle Reiring, James Reinish, Donald Newman, Rudolph Baranik, May Stevens, Mary Boone, George Gillson, Ruth Vodicka, Pincus Cashman, Joseph Benedetti, Dottie Attie, Nancy Spero, Howardena Pindell, Daria Dorosh, Maude Boltz, Rosemary Mayer, Mary Grigoriadis, Agnes Denes, Louise Kramer, Loretta Dunkelman, Barbara Zucker, Patsy Norvell, Sari Dienes, Judith Bernstein, Laurace James, Pat Lasch, Anne Healy, Guy Whitney, Joanna Frueh, Devonna Pieszak, Thelma Heagstedt, Nancy Forest Brown, Christopher English, Sarah Schwartz, Tish Miller, Mary MacArthur, Nancy Drew, Linda Goode Bryant, John Baldessari, Leonard Hunter, Margery Stich, Jim Melchert, Clair Copley, David Midland, Tom Freudenheim, Livingston Biddle, Colen Fitzgibbon, Geno Rodriguez, Bob Smith, Brian O'Doherty, Nancy Hanks, Laurie Anderson, Vito Acconci, Robert Motherwell, Stephen Reichard, National Endowment for the Arts, NEA, New York State Council on the Arts, NYSCA, Illinois Arts Council, Missouri State Council on the Arts, CETA, Washington Project for the Arts, WPA, N.A.M.E. Gallery, Franklin Furnace, A.I.R., Artists Space, 112 Greene Street, Committee for the Visual Arts, The New Museum, Creative Time, P.S.1, P.S. 122, The Painting Space, Just Above Midtown, JAM, Institute for Art and Urban Resources, IAUR, The Kitchen, Fondo del Sol, Public Art Workshop of Chicago, Metro Pictures, Dia Art Foundation, Collaborative Projects, CoLab, Contemporary Arts Center of New Orleans, Artpark, Alternative Museum, Los Angeles Institute of Contemporary Art, LAICA, Atlanta Art Workers Coalition, Fine Arts Work Center, Artemisia, ARC Gallery, Randolph Street Gallery, West Hubbard Gallery, NAB Gallery, Volunteer Lawyers for the Arts, Contemporary Arts Workshop, Creative Arts Resources, 97 Wooster Associates, Heresies, Madison Art Center, Roswell Museum Art Center, San Francisco Art Institute, Wadsworth Atheneum, Matrix Gallery, Hallwalls, Nexus, School of the Art Institute of Chicago, Green Mountain Gallery, Clocktower, Printed Matter, Center for Book Arts, MIT Visual Studies Center, Livet Reichard
“Rooms with a point of view” by Kay Larson, ARTnews, October 1977
Kay Larson, Renato Danese, Brian O'Doherty, Jerry Saltz, Jim Melchert, Bob Smith, Anne Focke, Mary Beebe, Alanna Heiss, Dana Rust, Walter Gabrielson, Dennis Kowalski, Andrea Blum, Martha Wilson, Robert Ashley, Simone Forti, Jock Reynolds, Jim Pomeroy, Robert Morris, Red Grooms, ARTnews, N.A.M.E. Gallery, Los Angeles Institute of Contemporary Art, LAICA, Portland Center for Visual Arts, PCVA, Institute for Art and Urban Resources, Clocktower, PS 1, and/or, La Mamelle, Franklin Furnace, Kitchen Center for Video and Music, Artists Space, Committee for the Visual Arts, Boston Visual Artists Union, Some Serious Business, Minneapolis Artists' Exhibition Program, 80 Langton Street, Northwest Artists Workshop, National Endowment for the Arts, NEA, AACM, A.I.R. Gallery, Artpark, Brand Library Art Center, Creative Time, Heresies, Articulations, Alternative art spaces, Artist-run spaces, NEA Workshop Program, Post-studio art
“A Clean, Well-Lighted Space” by Alice Steinbach, Cultural Post, July-August 1977
Alternative exhibition spaces, run by artists for artists, are helping the avant-garde go public
Workshops Alternative Spaces
