“The Art Workers’ Coalition: not a history” by Lucy Lippard, Studio International Journal, November 1970
Lunch with Justice Scalia: A Liberal Artist Meets a Conservative Judge for Lunch by Sara Kellner
Organizing Artists: A Document and Directory of NAAO, Fourth Edition, 1998
Organizing Artists: A Document and Directory of NAAO, Third Edition, 1992
NAAO Directory, Second Edition, 1989
NAAO Directory, 1987
ANNPAC/RACA, Aritzlan, MARS Artspace, Artists' Television Access, Capp Street Project, Centro Cultural de la Raza, Foundation for Art Resources, The Friends of Photography, Headlands Art Center, High Performance, Installation, Intersection for the Arts, LACE Los Angeles Contemporary Exhibitions, Landmark Art Projects, Los Angeles Center for Photographic Studies, LACPS, Los Angeles Institute of Contemporary Art, LAICA, New Langton Arts, Pro Arts, San Francisco Camerawork, Santa Barbara Contemporary Arts Forum, Southern Exposure Gallery, Sushi, The Art Re Grup, The Lab, The Woman's Building, Works San Jose, Real Art Ways, RAW, The New Art Center, WPA Washington Project for the Arts, Artifacts Artist Group, Artifacts Art Salon, Florida Center for Contemporary Art, Artists Alliance, Florida Center for Contemporary Art Artists Alliance, Mary Luft and Company, Tigertail Productions, Art Papers, J Arc and Company, Nexus Contemporary Art Center, A R C Gallery Educational Foundation, Artemisia Gallery, Beacon Street Gallery, Paper Press, Randolph Street Gallery, Video Data Bank, Artists' Gallery, Artists' Alliance, Contemporary Arts Center, Maryland Art Place, Mobius, Zone, Contemporary Art Institute of Detroit, CAID, Detroit Focus, Urban Institute for Contemporary Arts, Minnesota Artists Exhibition Program, WARM The Women's Art Registry of Minnesota, The Center for Contemporary Arts of Santa Fe, Society of Layerists in Multi-Media, ABC No Rio, Artists Space, Asian Arts Institute, Creative Time, Dance Theater Workshop, Drawing Center, Fashion Moda, Franklin Furnace Archive, Henry Street Settlement, INTAR Latin American Gallery, Minor Injury, The New Museum of Contemporary Art, Organization of Independent Artists, The Institute for Art and Urban Resources, The Clocktower, P S 1, P S 122, Printed Matter, Real Life Magazine, The Rotunda Gallery, White Columns, Catskill Center for Photography, CEPA Center for Exploratory and Perceptual Art, Hallwalls, Light Work Community Darkrooms, Pyramid Arts Center for Visual and Performance Arts, Sculpture Space, Visual Studies Workshop, Women's Studio Workshop, Center Gallery, The Light Factory, The Upstairs, CAGE Cincinnati Artists' Group Effort, Spaces, Individual Artists of Oklahoma, Northwest Artists Workshop, Portland Center for the Visual Arts, Art Works, Bayfront NATO Center for Art, Brandywine Workshop, Nexus Foundation for Today's Art, Painted Bride Art Center, Pioneer Crafts Council, Spring Garden Music, The Temple Gallery, Valley Arts Guild, Yellow Springs Institute, Austin Visual Arts Association, DiverseWorks, Houston Center for Photography, Lawndale Art and Performance Center, Mexic-Arte, Women and Their Work, Second Street Gallery, 1708 East Main, Nine One One Contemporary Arts Center, Soundwork, John Michael Kohler Arts Center, Theatre X, The Art League of Houston, Arts on the Park, Artspace, Athens Center for Film and Video, ACFV, Big River Association, Canadian Artists' Representation, CARFAC, Chicago Society of Artists, Circuit Network, D-Art Visual Art Center, Detroit Artists Market, Falkirk Cultural Center, Film in the Cities, Gallery Route One, Harry's Foundation, Herron Gallery Indianapolis Center for Contemporary Art, Institute of Contemporary Art, La Artcore, Laguna Gloria Art Museum, The Naked Feet Dance Company, Prints in Progress, The Renaissance Society at the University of Chicago, Several Dancers Core, The Studio in a School Association, African American Museums Association, Alliance for Cultural Democracy, Alternate Roots, American Council for the Arts, American Jewish Art Club, Art Hazards Information Center, Artspace Projects, Artswatch, Association of American Cultures, Association of Hispanic Arts, AHA, Association of Independent Video and Filmmakers, AIVF, Atlatl, Boston Visual Artists Union, BVAU, Bronx Council on the Arts, Center for Arts Information, Chicago Artists' Coalition, Chicano Humanities and Arts Council, CHAC, Foundation for the Community of Artists, FEDAPT, Foundation for the Community of Artists, Independent Curators Incorporated, International Sculpture Center, Lower Manhattan Cultural Council, Materials for the Arts, Media Alliance, National Assembly of Local Arts Agencies, NALAA, National Artists Equity Association, National Conference of Artists, National Alliance of Media Art Centers, NAMAC, New Organization for the Visual Arts, NOVA, Opportunities for the Arts, OFA, Public Art Fund, Resources and Counseling United Arts, Society for Photographic Education, Texas Fine Arts Association, Visual Arts Information Service, Arts Midwest, Consortium for Pacific Arts and Cultures, CPAC, Mid-America Arts Alliance, Mid-Atlantic Arts Foundation, New England Foundation for the Arts, Southern Arts Federation, SAF, Western States Arts Foundation, Actual Art Foundation, A I R Gallery Artists in Residence, Albuquerque United Artists, Alternative Museum, Alternative Worksite Bemis Project New Gallery, Appalshop, Art Com La Mamelle, Art in Action, Art Lab, Art Loft, Art Research Center, International Institute for Modern Structural Art, ARC, ISA, Artlink, Artpark, Arts for Transit, Beyond Baroque, Boise Gallery of Art, Boulder Center for the Visual Arts, Bronx Museum of the Arts, Bronx River Art Center, City Without Walls Gallery, Core New Art Space, En Foco, Evanston Art Center, First Street Forum, Florida Gulf Coast Art Center, Fotografica, Galeria de la Raza Studio 24, Galeria Mesa, Greenwich House Pottery, Hudson Guild Art Gallery, Improvisation Series Southern Danceworks Studio, Intar Theater, Iowa Designer Crafts Association, The Kirkland Art Center, The Kitchen, Knight Gallery, La Mama La Galleria Second Classe, Memphis Center for Contemporary Art, Minot Art Gallery, Museum of Contemporary Hispanic Art, MoCHA, New Harmony Gallery of Contemporary Art, New York Experimental Glass Workshop, New Zone Gallery, North South Consonance, Paris Gibson Square Center for Contemporary Arts, Pittsburgh Filmmakers, The Photo Review, The Printmaking Workshop, Salt Lake Art Center, Self Help Graphics, Seven Stages, Social and Public Arts Resource Center, SPARC, Visual Arts Center of Alaska, The Volcano Art Center, The Women's Interart Center, Whitewalls, A Salon, Architectron, Art Resources of Texas, Brooklyn Arts Council, Cal Arts, California Confederation of the Arts, CommunicationSphere, Eyes and Ears Foundation, Feature, Houston Women's Caucus for Art, Newhouse Gallery, Open Studio for the Performer, Popular Arts Workshop, Saint Paul Art Collective, Soho Television, Staten Island Council on the Arts, US Committee of the International Association of Art, Wisconsin Painters and Sculptors, Don Adams, Mark Anderson, Sally Anderson, Elizabeth Austin, Nancy Azara, C A Beesley, Carolyn Berry, Linda Brotman, M C Carolyn, Mary Clark, Michelle Buhrman Colburn, Jessica Cusick, Ariel Dougherty, Robin Drummond, George Everette, Rita Feranindo, Karen Finley, Anne Focke, Richard Freeman, Andrew Gillis, Diane Glenn, Robert Haywood, Biff Henrich, Hudson, Kim Irwin, Nabil Kanso, John Keppelman, Karen Kleinfelder, Henry Korn, Betty La Duke, Paul Laster, Owen Lamb, Alexander Lemski, Ruby Lerner, Barbara Levy, Margo Machida, Rosanne Martin, Jack Martinelli, Yvette Gabrielle Martini, Dmitri Matheny, Charles Mayer, Carroll Michels, Elaine Murphy, Jane McLaughlin, Andy Ostheimer, Carla Peterson, Richard Pollock, Walter Robinson, Ann Rosenthal, Joseph Sanchez, Barbara Sexton, Molly Grover Shallow, Linda Shearer, Susan Shutan, Harriet Silverstein-Herman, Reed Simon, Rita Starpattern, Daniel Tisdale, Donald Washington, Mary Kay Zuravleff, A Head, Chris D'Arcy, Ana Teregeyo, Matilda Lolotai, Seeley Cohn, Amy Aspell, Albert Reid, Gary Young, Cecelia Fitzgibbon, Barbara Nicholson, Chris Doolin, Frank Ratka, Linda Tiatano Reyes, Thomas Schorgl, Jeanann Celli, John Carey, Roger Paige, Derek Gordon, Alden Wilson, Jim Backas, Anne Hawley, Barbara Goldman, Sam Grabarski, Nancy Gilbert, Wally Weil, David Nelson, Robin Tryloff, Bill Fox, Jeffrey Kesper, Sue Bonaiuto, Mary Hays, Patrice Gabriel, Mary Regan, Donna Evenson, Wayne Lawson, Betty Price, Antonio Diez, June Arey, Elias Lopez Soba, Iona Dobbins, Scott Sanders, Charlotte Carver, Bennett Tarleton, Richard Huff, Carol Nixon, Joanne Chow Winship, John Jowers, Peggy Baggett, Michael Croman, James Andrews, Arley Curtz, Joy Thompson
Edward Jones' Masters Thesis, “Perspectives: The Emergence of the Artists' Space Movement,” December 1984
Edward Jones, Irving Kaufman, Jacob Rothenberg, City College of New York, City University of New York, Jacki Apple, Billy Apple, Jeffrey Lew, Holly Solomon, Horace Solomon, Richard Nonas, Jene Highstein, Stefan Eins, Willoughby Sharp, Martha Wilson, Claire Copley, Gordon Matta-Clark, Alanna Heiss, Suzanne Harris, Jerry Vis, Bill Beirne, Carol Parkinson, Tina Girouard, Martha Wilson, Trudie Grace, Linda Shearer, Jock Reynolds, Joy Silverman, Brian O'Doherty, Thomas Hut, Henry Geldzahler, Phillip Glass, Joseph Kosuth, Richard Landry, Kynaston McShine, James Rosenquist, Marcia Tucker, Lucy Lippard, Sol LeWitt, Carl Andre, Jean Cassou, Hilton Kramer, Linda Nochlin, Joan Jeffri, Sally Webster, Lacy Davisson, Lynne Warren, Robyn Brentano, Mary Delahoyd, Bob Smith, Alfred Stieglitz, New York State Council on the Arts, National Endowment for the Arts, Committee for the Visual Arts, Artists Space, 112 Greene Street, 98 Greene Street, 3 Mercer, Apple, Franklin Furnace, Franklin Furnace Archive, Institute for Art and Urban Resources, P.S. 1, Center for New Art Activity, Fashion Moda, Los Angeles Institute of Contemporary Art, LAICA, Holly Solomon Gallery, Copley Gallery, Avalanche Magazine, New Museum, New York University, Los Angeles, New York, Chicago, SoHo, Bronx, Fluxus, Experiments in Art and Technology, Hyde Park Art Center, Judson Memorial Church, Photo Secession Gallery, Momentum
WORKS (San Jose, CA) Organizational Brochure
Lawndale (Houston, TX) Newsletter, July 1979
Lawndale Annex, University of Houston, James Surls, George Bunker, Gail Stack, David Hickman, Don Woodman, Ed Hill, Don Marshall, Contemporary Art Center, New Orleans, Keith Ferris, Trinity House Co-op Gallery, Austin, Linda Surls, Dallas Womens Co-op, Dallas, Clyde Connell, Greater Gator Group, Roberto Molina, Houston, Luanne Stovall, Galveston, Bert Long
Information and Correspondence from the Institute of Contemporary Art at the Virginia Museum, 1979
New Artspaces II: Beyond Survival, New Orleans, LA, 1981: Post-Conference call for networking information from Artspace News
Art Com, Carl Loeffler, Katherine Willman, Artists Space, Ragland Watkins, Artists' Cooperative Gallery, Omaha, Artists Space Committee for the Visual Arts, New York, Atlanta Art Workers Coalition, Atlanta, Cynthia Knapp, Center for Book Arts, Center for Inter-American Relations, Luis Benedit, Contemporary Art Workshop, Chicago, Cornish Institute, Seattle, Fine Arts Work Center, Provincetown, Just Above Midtown, Downtown, Linda Goode-Bryant, Local 1734 Art Collective and Gallery, Washington, Ruth Stenstrom, Jean Vallon, Magic Theatre, San Francisco, John Lion, Martin Esslin, Performing Arts for Community Education, Miami, Mary Luft, Randolph Street Gallery, Real Art Ways, Hartford, Marion Brown, Lercy Jenkins, John Cage, Paul Zukofsky, San Francisco Camerawork, Samuel Borne, Arthur Ollman, Van Deren Coke, Sculpture Space, Clinton, Sylvia de Swaan, Site Cite Sight, Alan Scarritt, Mike Roddy, Marilyn Bogert, Southern Light, Amarillo College, Amarillo, Robert Hirsch, The Upstairs, Tryon, CAIRN, Video Data Bank, School of the Art Institute of Chicago, Lyn Blumenthal, Kate Horsfield, Virginia Center for the Creative Arts, Sweet Briar, William Smart, Visual Arts Center of Alaska, Anchorage, Eve Chung, Visual Studies Workshop, Rochester, Nathan Lyons, Washington Project for the Arts, WPA, Al Nodal, The Woman's Building, Los Angeles, Shelia Levrant de Bretteville, Judy Chicago, Arlene Raven, Zone, Springfield, Joseph Celli, Claire Copley, Marilyn Crank, Ann Focke, M. K. Wegman, National Endowment for the Arts, Artlink Artspace, Fort Wayne, Organization of Independent Artists, Northport Galleries, Northport
Correspondence from 1708 EAST MAIN to other alternative space galleries, October 1978
“An Alternative Paper on Alternative Space,” as an Alternative to New Artspace Conference, April 1978
Elizabeth Hoxie, Lyn Blumenthal, Video Data Bank, Art Institute of Chicago, Robert Lawrence, Interchange, Mary MacArthur, The Kitchen, Allan Kaprow, Hugh Southern, N.A.M.E, Randolph Street Gallery, Artemisia Gallery, Chicago Filmmakers, Blackstone Hotel, Hudson, Nexus Gallery, Bill Stamets, New Art Examiner, David Stockman, Chicago, Atlanta, Cincinnati, Washington
“Survival Tactics Top Priority for Artists' Organizations” by Elizabeth Hoxie, New Art Examiner, December 1983
Elizabeth Hoxie, Lyn Blumenthal, Video Data Bank, Art Institute of Chicago, Robert Lawrence, Interchange, Mary MacArthur, The Kitchen, Allan Kaprow, Hugh Southern, N.A.M.E, Randolph Street Gallery, Artemisia Gallery, Chicago Filmmakers, Blackstone Hotel, Hudson, Nexus Gallery, Bill Stamets, New Art Examiner, David Stockman, Chicago, Atlanta, Cincinnati, Washington
“The Art World: Alternatives” by Calvin Tomkins, The New Yorker, December 1983
Calvin Tomkins, Linda Shearer, Stefan Eins, Fashion Moda, Marcia Tucker, New Museum of Contemporary Art, Artists' Space, Trudie Grace, Irving Sandler, Helene Winer, Vito Acconci, Jon Borofsky, Sol LeWitt, Scott Burton, Claes Oldenburg, Christo, Judy Pfaff, Al Held, Ernst Benkert, Sally Hazelet Drummond, Mowry Baden, Mark Rothko Foundation, Sahara Belbeaux, Jacqueline White, John Ahearn, Jean-Michel Basquiat, Keith Haring, Futura 2000, Sidney Janis Gallery, New School for Social Research, Edward Broida, Broida Museum, Lynn Gumpert, Ned Rifkin, New York State Council on the Arts, Committee for the Visual Arts, Guggenheim, Whitney Museum, James Rosenquist, Richard Tuttle, United States Information Agency, Venice Biennale, Washington, South Bronx, SoHo, TriBeCa, Minneapolis
“New Dimensions for Artists' Spaces” by Stephen Sinclair, Cultural Post, May-June 1981
Stephen Sinclair, Nancy Drew, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, MK Wegmann, Ann Focke, And/Or, Artech, Al Nodal, Washington Project for the Arts, WPA, Martha Wilson, Franklin Furnace, Hallwalls, Cincinnati Artists Group Effort, C.A.G.E, Kip Eagan, Women and Their Work, Rita Starpattern, Claudia Reese, Maxine Kumin, Adrienne Rich, May Swenson, James Surles, Lawndale, Carolee Schneemann, Mary Min, Artists Residents of Chicago, ARC, Jane Stevens, Margaret Peterson, Chris Millon, Marcia Sartwell, Seattle, Buffalo, Cincinnati, Austin, Houston
NEA Prentice Hall book about the business life of an artist, chapter by Nancy Drew with Carrie Rickey and statement by James Corcoran, 1981
Nancy Drew, Carrie Rickey, Elsie Walker, Lee Caplin, Brian O'Doherty, A.I.R, N.A.M.E, New York Institute of Art and Urban Resources, Clocktower, P.S. 1, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, The Kitchen, And/Or, NOVA, Boston Visual Artists Union, BVAU, Jet Wave, Collaborative Projects, Colab, James Corcoran, James Corcoran Gallery, Corcoran and Corcoran, Castelli/Feigen/Corcoran, Leo Castelli, Billy Al Bengston, Sam Francis, Charles Arnoldi, Willem de Kooning, H.C. Westermann, Joseph Cornell, Margo Leavin, Jan Baum, Asher/Faure, Janus, Rosamund Felsen, Newspace, L.A. Louver, Arco, National Endowment for the Arts, NEA, Prentice Hall, Seattle, Los Angeles, New Orleans, Cleveland, Boston, Miami
“Independent Film Programing: A Word to the Wise” by Terry Cannon, Media Arts, 1983
Terry Cannon, Pasadena Filmforum, NAMAC, Anthology Film Archives, Pinewood Foundation, Virginia Strull, Astoria Motion Picture and Television Foundation, Schenectady Museum, Jewish Museum, Parsons School of Design, George Trescher Associates, Collective for Living Cinema, Business Committee for the Arts, National Endowment for the Arts, NEA, National Endowment for the Humanities, NEH, Pasadena, Manhattan
Correspondence with New Times Magazine about a possible article on alternative arts spaces, 1976