Edward Jones' Masters Thesis, “Perspectives: The Emergence of the Artists' Space Movement,” December 1984
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Edward Jones' Masters Thesis, “Perspectives: The Emergence of the Artists' Space Movement,” December 1984

Edward Jones, Irving Kaufman, Jacob Rothenberg, City College of New York, City University of New York, Jacki Apple, Billy Apple, Jeffrey Lew, Holly Solomon, Horace Solomon, Richard Nonas, Jene Highstein, Stefan Eins, Willoughby Sharp, Martha Wilson, Claire Copley, Gordon Matta-Clark, Alanna Heiss, Suzanne Harris, Jerry Vis, Bill Beirne, Carol Parkinson, Tina Girouard, Martha Wilson, Trudie Grace, Linda Shearer, Jock Reynolds, Joy Silverman, Brian O'Doherty, Thomas Hut, Henry Geldzahler, Phillip Glass, Joseph Kosuth, Richard Landry, Kynaston McShine, James Rosenquist, Marcia Tucker, Lucy Lippard, Sol LeWitt, Carl Andre, Jean Cassou, Hilton Kramer, Linda Nochlin, Joan Jeffri, Sally Webster, Lacy Davisson, Lynne Warren, Robyn Brentano, Mary Delahoyd, Bob Smith, Alfred Stieglitz, New York State Council on the Arts, National Endowment for the Arts, Committee for the Visual Arts, Artists Space, 112 Greene Street, 98 Greene Street, 3 Mercer, Apple, Franklin Furnace, Franklin Furnace Archive, Institute for Art and Urban Resources, P.S. 1, Center for New Art Activity, Fashion Moda, Los Angeles Institute of Contemporary Art, LAICA, Holly Solomon Gallery, Copley Gallery, Avalanche Magazine, New Museum, New York University, Los Angeles, New York, Chicago, SoHo, Bronx, Fluxus, Experiments in Art and Technology, Hyde Park Art Center, Judson Memorial Church, Photo Secession Gallery, Momentum

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Lawndale (Houston, TX) Newsletter, July 1979

Lawndale (Houston, TX) Newsletter, July 1979

Lawndale Annex, University of Houston, James Surls, George Bunker, Gail Stack, David Hickman, Don Woodman, Ed Hill, Don Marshall, Contemporary Art Center, New Orleans, Keith Ferris, Trinity House Co-op Gallery, Austin, Linda Surls, Dallas Womens Co-op, Dallas, Clyde Connell, Greater Gator Group, Roberto Molina, Houston, Luanne Stovall, Galveston, Bert Long

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New Artspaces II: Beyond Survival, New Orleans, LA, 1981: Post-Conference call for networking information from Artspace News

New Artspaces II: Beyond Survival, New Orleans, LA, 1981: Post-Conference call for networking information from Artspace News

Art Com, Carl Loeffler, Katherine Willman, Artists Space, Ragland Watkins, Artists' Cooperative Gallery, Omaha, Artists Space Committee for the Visual Arts, New York, Atlanta Art Workers Coalition, Atlanta, Cynthia Knapp, Center for Book Arts, Center for Inter-American Relations, Luis Benedit, Contemporary Art Workshop, Chicago, Cornish Institute, Seattle, Fine Arts Work Center, Provincetown, Just Above Midtown, Downtown, Linda Goode-Bryant, Local 1734 Art Collective and Gallery, Washington, Ruth Stenstrom, Jean Vallon, Magic Theatre, San Francisco, John Lion, Martin Esslin, Performing Arts for Community Education, Miami, Mary Luft, Randolph Street Gallery, Real Art Ways, Hartford, Marion Brown, Lercy Jenkins, John Cage, Paul Zukofsky, San Francisco Camerawork, Samuel Borne, Arthur Ollman, Van Deren Coke, Sculpture Space, Clinton, Sylvia de Swaan, Site Cite Sight, Alan Scarritt, Mike Roddy, Marilyn Bogert, Southern Light, Amarillo College, Amarillo, Robert Hirsch, The Upstairs, Tryon, CAIRN, Video Data Bank, School of the Art Institute of Chicago, Lyn Blumenthal, Kate Horsfield, Virginia Center for the Creative Arts, Sweet Briar, William Smart, Visual Arts Center of Alaska, Anchorage, Eve Chung, Visual Studies Workshop, Rochester, Nathan Lyons, Washington Project for the Arts, WPA, Al Nodal, The Woman's Building, Los Angeles, Shelia Levrant de Bretteville, Judy Chicago, Arlene Raven, Zone, Springfield, Joseph Celli, Claire Copley, Marilyn Crank, Ann Focke, M. K. Wegman, National Endowment for the Arts, Artlink Artspace, Fort Wayne, Organization of Independent Artists, Northport Galleries, Northport

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“An Alternative Paper on Alternative Space,” as an Alternative to New Artspace Conference, April 1978

“An Alternative Paper on Alternative Space,” as an Alternative to New Artspace Conference, April 1978

Elizabeth Hoxie, Lyn Blumenthal, Video Data Bank, Art Institute of Chicago, Robert Lawrence, Interchange, Mary MacArthur, The Kitchen, Allan Kaprow, Hugh Southern, N.A.M.E, Randolph Street Gallery, Artemisia Gallery, Chicago Filmmakers, Blackstone Hotel, Hudson, Nexus Gallery, Bill Stamets, New Art Examiner, David Stockman, Chicago, Atlanta, Cincinnati, Washington

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“Survival Tactics Top Priority for Artists' Organizations” by Elizabeth Hoxie, New Art Examiner, December 1983
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“Survival Tactics Top Priority for Artists' Organizations” by Elizabeth Hoxie, New Art Examiner, December 1983

Elizabeth Hoxie, Lyn Blumenthal, Video Data Bank, Art Institute of Chicago, Robert Lawrence, Interchange, Mary MacArthur, The Kitchen, Allan Kaprow, Hugh Southern, N.A.M.E, Randolph Street Gallery, Artemisia Gallery, Chicago Filmmakers, Blackstone Hotel, Hudson, Nexus Gallery, Bill Stamets, New Art Examiner, David Stockman, Chicago, Atlanta, Cincinnati, Washington

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“The Art World: Alternatives” by Calvin Tomkins, The New Yorker, December 1983
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“The Art World: Alternatives” by Calvin Tomkins, The New Yorker, December 1983

Calvin Tomkins, Linda Shearer, Stefan Eins, Fashion Moda, Marcia Tucker, New Museum of Contemporary Art, Artists' Space, Trudie Grace, Irving Sandler, Helene Winer, Vito Acconci, Jon Borofsky, Sol LeWitt, Scott Burton, Claes Oldenburg, Christo, Judy Pfaff, Al Held, Ernst Benkert, Sally Hazelet Drummond, Mowry Baden, Mark Rothko Foundation, Sahara Belbeaux, Jacqueline White, John Ahearn, Jean-Michel Basquiat, Keith Haring, Futura 2000, Sidney Janis Gallery, New School for Social Research, Edward Broida, Broida Museum, Lynn Gumpert, Ned Rifkin, New York State Council on the Arts, Committee for the Visual Arts, Guggenheim, Whitney Museum, James Rosenquist, Richard Tuttle, United States Information Agency, Venice Biennale, Washington, South Bronx, SoHo, TriBeCa, Minneapolis

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“New Dimensions for Artists' Spaces” by Stephen Sinclair, Cultural Post, May-June 1981

“New Dimensions for Artists' Spaces” by Stephen Sinclair, Cultural Post, May-June 1981

Stephen Sinclair, Nancy Drew, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, MK Wegmann, Ann Focke, And/Or, Artech, Al Nodal, Washington Project for the Arts, WPA, Martha Wilson, Franklin Furnace, Hallwalls, Cincinnati Artists Group Effort, C.A.G.E, Kip Eagan, Women and Their Work, Rita Starpattern, Claudia Reese, Maxine Kumin, Adrienne Rich, May Swenson, James Surles, Lawndale, Carolee Schneemann, Mary Min, Artists Residents of Chicago, ARC, Jane Stevens, Margaret Peterson, Chris Millon, Marcia Sartwell, Seattle, Buffalo, Cincinnati, Austin, Houston

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NEA Prentice Hall book about the business life of an artist, chapter by Nancy Drew with Carrie Rickey and statement by James Corcoran, 1981

NEA Prentice Hall book about the business life of an artist, chapter by Nancy Drew with Carrie Rickey and statement by James Corcoran, 1981

Nancy Drew, Carrie Rickey, Elsie Walker, Lee Caplin, Brian O'Doherty, A.I.R, N.A.M.E, New York Institute of Art and Urban Resources, Clocktower, P.S. 1, Los Angeles Institute of Contemporary Art, LAICA, Contemporary Art Center, The Kitchen, And/Or, NOVA, Boston Visual Artists Union, BVAU, Jet Wave, Collaborative Projects, Colab, James Corcoran, James Corcoran Gallery, Corcoran and Corcoran, Castelli/Feigen/Corcoran, Leo Castelli, Billy Al Bengston, Sam Francis, Charles Arnoldi, Willem de Kooning, H.C. Westermann, Joseph Cornell, Margo Leavin, Jan Baum, Asher/Faure, Janus, Rosamund Felsen, Newspace, L.A. Louver, Arco, National Endowment for the Arts, NEA, Prentice Hall, Seattle, Los Angeles, New Orleans, Cleveland, Boston, Miami

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“Independent Film Programing: A Word to the Wise” by Terry Cannon, Media Arts, 1983
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“Independent Film Programing: A Word to the Wise” by Terry Cannon, Media Arts, 1983

Terry Cannon, Pasadena Filmforum, NAMAC, Anthology Film Archives, Pinewood Foundation, Virginia Strull, Astoria Motion Picture and Television Foundation, Schenectady Museum, Jewish Museum, Parsons School of Design, George Trescher Associates, Collective for Living Cinema, Business Committee for the Arts, National Endowment for the Arts, NEA, National Endowment for the Humanities, NEH, Pasadena, Manhattan

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NAAO New Member Letters & Renewal Letters, various years
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NAAO New Member Letters & Renewal Letters, various years

Robin Drummond, Portland Center for the Visual Arts, Claire Copley, Charlotte Murphy, Hudson, Jessica Cusick, MK Wegmann, Judy Moran, Inverna Lockpez, Louise Shaw, Lynn Schuette, Marilyn Arsem, David Avalos, Centro Cultural de la Raza, Claudia Barker, Gere Baskin, Detroit Focus, Jackie Battenfield, Rotunda Gallery, Sherman Fleming, Washington Project for the Arts, WPA, Biff Henrich, Hallwalls, C.E.P.A, Alan Millar, Lab Art Re Grup, Michael Peranteau, Diverse Works, Judith Thorpe, Society for Photographic Education, Susan Wyatt, Artists' Space, Nexus Contemporary Art Center, INTAR, Susan Born-Ozment, John Frohnmayer, Jesse Helms, Dick Armey, Helms Amendment, National Campaign for Freedom of Expression, Pat Williams, Don Adams, Arlene Goldfarb, Alliance for Cultural Democracy, Glen Harper, Art Papers, Michelle Wallace, Vince Leo, Penny Boyer, Mary Drayton-Hill, New Works Collaborative Touring Program, Organizing Artists, Helen Brunner, Don Russell, Minneapolis, Austin, Buffalo, Los Angeles, LACE

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NAAO Houston National Conference, 1985: Post-Conference Package
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NAAO Houston National Conference, 1985: Post-Conference Package

Alternative Museum, Geno Rodriguez, Alternative Roots, Alternate Roots, Ruby Lerner, American Indian Community House Gallery, G. Peter Jemison, Art & Distance, Sue Schroeder, Art in America, Walter Robinson, Artemesia, Maureen Warren, Art League of Houston, Julie McNair, Margaret Smithers-Crump, Artists' Space, Susan Wyatt, Linda Shearer, Artists Television Access, Martin Weber, Art Institute of Chicago, Joyce Fernandes, A.R.T.S, Joseph Sanchez, Artspeak, Carl Heyward, Arts Project, Linda Chaney Anderson, Association of Video Artists, Ulises Carrion, Astro Artz, High Performance, Linda Burnham, Steve Durland, Lin Osterhage, Basement Workshop, Fay Chiang, Beacon Street Gallery, Hull House, Pat Murphy, Rena Church, Brooklyn Museum Community Gallery, Richard Waller, Center Gallery, Kim Irwin, C.E.P.A, Gary Nickard, CHAC, Chicano Humanities and Arts Council, Tony Ortega, City Arts Program, Margaret Robinette, Collaborative Projects, Christi Rupp, Contemporary Arts Center, MK Wegmann, Don Marshall, Claudia Barker, Richard Thomas, Steve Sweet, Alexandra Monett, Elizabeth Shannon, Contemporary Arts Forum, Betty Klausner, Contemporary Arts Institute of Detroit, CAID, Steven Benson, Creative Time, Anita Contini, Cultural Arts Council of Houston, Flora-Maria Garcia, Culture Contact, Andrew Caploe, Museum of Modern Art, Dance Theatre Workshop, David White, Detroit Focus, Gere Baskin, Diverse Works, Charles Gallagher, Michael Peranteau, Caroline Huber, East End Progress Association, Rita Rodriguez, Eyes & Ears Foundation, Mark Rennie, Feature Gallery, Hudson, Friends of Photography, David Featherstone, Claire Peeps, Fondo del Sol, Rebbaca Crumlish, Galeria de la Raza, Rene Yanez, Galveston Art Center, Eric Reidel, Cathy Brunner, Grupo Procceso Pentageno, Felipe Ehrenberg, Hallwalls, Biff Henrich, Houston Center for Photography, Lyn McClanahan, Houston Festival Foundation, Jerry McCathern, Fletcher Mackey, Houston Women's Caucus for Art, Lin Swanner, Independent Foundation for Independent Video and Film, Martha Gever, Individual Artists of Oklahoma, Frank Parman, INTAR, Inverna Lockpez, IS Productions, Victor Masayesva, The Kitchen, Renata Petroni, Lab Art Re Grup, Guy Daire, Alan Millar, Laguna Gloria Art Museum, Lawndale Annex, Moira Kelly, Lightwork, Tom Bryan, LACE, Los Angeles Contemporary Exhibitions, Joy Silverman, Weba Garretson, L.A.C.P, Los Angeles Center for Photographic Studies, Howard Spector, Louisiana Tech University, Joda Maynard, Mary Morse, Jeannette Oliver, Maryland Art Place, Olivia Georgia, Materials for the Arts, Susan Glass, Mexic-Arte, Sylvia Orozco, Ambray Gonzales, Pio Piludo, Mid-Atlantic Arts Consortium, Katie McCoy, Midtown Arts Center, Reine Hauser, Mobius, Richard Lerman, Marilyn Arsem, Movimento Artistico del Rio Salado, Ralph Cordova, N.A.M.E. Gallery, Lanny Silverman, National Endowment for the Arts, NEA, Bobbi Tsumagari, Richard Andrews, Michael Faubion, Katherine Suttles, Paul Carlson, Michael Giza, Hugh Southern, Nature Morte, Peter Nagy, New Langton Arts, Renny Pritikin, Judy Moran, Kim Searcy, New York State Council on the Arts, Petra Barreras, Nexus, Louise Shaw, Ian McColl, Nine One One, Mark Anderson, Opportunities for the Arts, Denny Griffith, Organization of Independent Artists, Debi Feiman, Otis Parsons, Al Nodal, Painted Bride Art Center, Gerry Givnish, Elaine Crivelli, Franz Spohn, Performance Space 122, Mark Russell, Performing Arts Management, Ann Rosenthal, Pyramid Arts Center, Antonio Petraca, Real Art Ways, Anthony Keller, Rotunda Gallery, Jackie Battenfield, Sculpture Space, Sylvia de Swan, Square One, Mark Lombardi, Sushi, Lynn Schuette, Linda Speer, David Taylor Dance Theatre, Dixie Griffin, Texas Commission on the Arts, Rick Hernandez, John Paul Batiste, Richard Huff, Texas Fine Arts Association, Sandra Gregor, Theatre X, Moe Myer, Tigertail Productions, Marilyn Gottlieb-Robers, Mary Luft, Tomorrow's World Art Center, Georgette Powell, Video Data Bank, Lyn Blumenthal, Visual Studies Workshop, Nathan Lyons, Washington Project for the Arts, WPA, Jock Reynolds, Don Russell, Helen Brunner, Mel Watkins, Woman's Building, Terry Wolverton, Elaine Wintman, Sue Maberry, Women and Their Work, Rita Starpattern, Jill Bedgood, Belinda Casey, Ella Gant, Carol Drey, Barbara Hofrenning, Women's Art Registry of Minnesota, WARM, Catherine Jordan, Marilyn Anderson, Women's Studio Workshop, Ann Kalmbach, Ariel Dougherty, Yellow Springs Institute, Arthur Sabatini, Linda Parris-Bailey, Jody Blazek, Jim Covarrubias, Kim Crable, Jessica Cusick, Robin Drummond, Sherman Fleming, RODFORCE, Anne Focke, Gronk, Edgar Heap of Birds, Jeanne Hollenbeck, Sara Irwin, Norma Jaichima, John Malpede, Linda Montano, Eva Margarita Nieto, Carlos Martinez, Candace Hill Montgomery, Michael Perri, Joe Rodriguez, Alan Sondheim, Christopher Sullivan, Sekou Sundiata, Brendan de Vallance, Ted Viens, Martha Wilson, Franklin Furnace, Joan Mondale, Republicbank, Frank Hodsoll, Claire Copley, Houston, Diverse Works, MK Wegmann, Judy Moran, Jessica Cusick, Biff Henrich, Louise Shaw, Ruby Lerner, Michael Perri, Lynn Schuette, Ariel Dougherty, Susan Wyatt, Sue Schroeder, Carlos Martinez, Charlotte Murphy, Robin Drummond, Al Nodal, Hudson, David White, Renny Pritikin, Jean Murakami, Bay Area Association of Artists' Organizations, BAAO, New Langton Arts, Maryland Art Place, Feature Gallery, Women's Studio Workshop, Nexus Contemporary Art Center, Hammarskjold Sculpture Garden, Equitable Life Assurance Society, Richard Serra, Grace Glueck, Walter Benjamin, Sid Yates, Oscar Howe, William Rubin, Martin Luther King, Special Constituencies Committee, Minority Task Force, Women's Caucus, National Directory of Artists' Organizations, National Performance Network, Pennsylvania State Arts Council, Open Dialogue II, San Antonio, Wounded Knee, Seneca Nation, Haudenosaunee, Iroquois

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