“Life Beyond Survival: Building a National Network at the Second Conference of Alternative Spaces,” by Michael Bonesteel, New Art Examiner, June 1981
“Will the White House Become an Alternative Space?” by Kay Larson, Village Voice, June 5, 1978
“Jo-Anne Birnie Danzker Reconsidering Parallel Galleries,” author unknown, Vanguard, June-July 1978
Jo-Anne Birnie Danzker, Robert Smith, Bob Smith, Michael Asher, David Askevold, John Baldessari, Allan Kaprow, Geoffrey James, Glenn Lewis, Bill Kirby, Jessica Bradley, Ian Wallace, Russell Keziere, Brenda Wallace, Claude Gosselin, Peggy Gale, Clive Robertson, Marien Lewis, Michael Morris, Bob Stearns, Rosalee Goldberg, Brian Dyson, Babs Shapiro, Marcella Bienvenue, Peter Fraser, Tanya Rosenberg, James Pomeroy, Anne Focke, Janet Kardon, Alanna Heiss, Phil Patton, Kay Larson, Los Angeles Institute of Contemporary Art, LAICA, Association of National Non-Profit Artists Centres, ANNPAC, Canada Council, A Space, Artons, The Western Front, Art Metropole, CEAC, Winnipeg Art Gallery, Ontario Arts Council, The Kitchen, Parallelogramme, Parallelogramme Retrospective, Alberta College of Art, Shoestring Gallery, Clouds and Water, Galerie Media, Eighty Langton Street, Philadelphia College of Art, Institute for Art and Urban Resources, B.C. Cultural Fund, Strike magazine, Art in America, ARTnews, Vanguard, New Artsspace Conference, Santa Monica, Los Angeles, Calgary, Toronto, Vancouver, Winnipeg, Montreal, San Francisco, Seattle, New York, Philadelphia
“Report by Mary Stofflet: The New Artsspace,” La Mamelle, Summer 1978
“Opting Out and Buying In,” by Howard Singerman, LAICA Journal no. 19, June 1978
“Is There Space for Alternatives? LAICA Conference,” by Virginia Hillix, New Art Examiner, June 1978
The New Artsspace Conference, Los Angeles, 1978: Organizing Materials
Eleanor Antin, David Antin, Richard Armstrong, Walter Askin, Debra Burchett, Carole Caroompas, Germano Celant, Celant, Carl Chew, Charles Clough, Claire Copley, Edit deAk, Renato Danese, Nancy Drew, James Edson, Monte Factor, Mark Faverman, Anne Focke, Peter Frank, Martin Friedman, Larry Gagosian, Peggy Gale, Hal Glicksman, Gretchen Glicksman, Betty Gold, Jennifer Griffiths, Murray Gribin, Alanna Heiss, Helene Fried, Lynn Hershman, Judy Hoffberg, Henry Hopkins, Walter Hopps, Hopps, David Hupert, Lorig Injejikian, Bob Irwin, Ruth Iskin, Allan Kaprow, Kaprow, Janet Kardon, Mel Katz, Lyn Kienholz, Howard Krom, Jeffrey Lew, Ed Levine, Carl Loeffler, Tom Marioni, Barry Markowitz, Jim Melchert, Jean Milant, Jim Murray, Anita O'Neal, Brian O'Doherty, Joann Phillips, Peter Plagens, Robert Pincus-Witten, Jim Pomeroy, Monroe Price, Bridget Reak-Johnson, Stephen Reichard, James Reinish, David Ross, Dana Rust, Jerry Saltz, Norie Sato, Allan Sekula, Ilene Segalove, Helen Schlien, Alexis Smith, Robert Smith, Scott Sonniksen, Robert Stearns, Ellen Stewart, Marcia Traylor, Marcia Tucker, Tucker, DeWain Valentine, Irene Von Zahn, Lawrence Weiner, John White, Helene Winer, Martha Wilson, Elan Wingate, Elyn Zimmerman, Los Angeles Institute of Contemporary Art, LAICA, LAICA Journal, and/or, Institute for Art and Urban Resources, Clocktower, The Kitchen, Kitchen Center for Video and Music, Some Serious Business, SSB, Boston Visual Artists Union, Philadelphia College of Art, Art-Rite, The New Museum, Wright State University, NAME Gallery, Floating Museum, ARCO Center for the Visual Arts, National Endowment for the Arts, NEA, Portland Center for Visual Arts, New York State Arts Council, Artists' Space, Whitney Museum of American Art, University of California, Hall Walls, Art Metropole, Franklin Furnace, La Jolla Museum of Contemporary Art, Umbrella, La Mamelle, Printed Matter, Otis Art Institute, Creative Time, Walker Art Center, San Francisco Museum of Modern Art, Museum of Conceptual Art, Contemporary Art Center, Performing Artists Services, Women's Building, National Collection of Fine Arts, NCFA, Smithsonian Institution, Levine & Krom, Sonnabend Gallery, Ford Foundation, Business Committee on the Arts, California Arts Commission, ABC Entertainment Center, CETA Programs Division, The New Artsspace, First National Conference of Alternative Visual Arts Organizations, Los Angeles
“A Clean, Well-Lighted Space” by Alice Steinbach, Cultural Post, July-August 1977
Alternative exhibition spaces, run by artists for artists, are helping the avant-garde go public
Workshops Alternative Spaces
The New Artsspace Conference, Los Angeles, 1978: LAICA Response Letter
