Congressman Pat Williams’ The Independent Commission: Testimony of the Legal Task Force, July 1990
Floyd Abrams, Michael McConnell, Henry Monaghan, Theodore Olson, Kathleen Sullivan, Pat Williams, Paul Henry, Dana Rohrabacher, Independent Commission, Legal Task Force, National Endowment for the Arts, NEA, Cahill Gordon and Reindel, University of Chicago Law School, Columbia University Law School, Gibson Dunn and Crutcher, Harvard University Law School, Committee on Education and Labor, Subcommittee on Postsecondary Education, National Council on the Arts, Federal Council on the Arts and Humanities, Corporation for Public Broadcasting, Kennedy Center, National Foundation on the Arts and Humanities, American Arts Alliance, American Council for the Arts, National Assembly of State Arts Agencies, National Assembly of Local Arts Agencies, American Association of Museums, Association of American Cultures, AFL-CIO Professional Employees in the Arts, Coalition of Writers Organizations, National Coalition for Education in the Arts, Creative Coalition, National Campaign for Freedom of Expression, Show Coalition, National Artist Equity Association, American Design Council, American Council for the Traditional Arts, National Alliance of Media Arts Centers, Miller v. California, Regan v. Taxation With Representation, FCC v. League of Women Voters, Speiser v. Randall, Advocates for Arts v. Thomson, Arkansas Writers' Project v. Ragland, First Amendment, obscenity, indecency, viewpoint discrimination, content restrictions, self-certification, selective funding, unconstitutional conditions, prior restraint, peer review, NEA reauthorization, Artistic Freedom: Our American Heritage, Williams Arts Group
Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc B
Ariel Dougherty, Olive Cheritree, Bob Carr, Pat Williams, Women's Studio Workshop, WSW, NEA, National Endowment for the Arts, NEH, National Endowment for the Humanities, Heritage Foundation, NAAO, National Association of Artists' Organizations, National Association of Women Artists, Museum of Modern Art, Hirshhorn Museum, Film Forum, Apple Computer, Congressional Arts Caucus, Women's Interart Center, Earth Onion Women's Theatre, Women Make Movies, Women's Community, Womenswork, Chrysalis Magazine, Feminist Press, Running Women Press, Camera Obscura, Feminist Radio Network, Women's Jazz Festival, Maine Association for Women in Film, Women's Legal Defense Fund, Women's Experimental Theatre, Art Resources Open to Women, Women's Caucus for the Arts, Women's Caucus for Art, Artemisia Fund, Hera Education Foundation, Women's Art Center, Heresies Collective, Midmarch Associates, Where We At Black Women Art, Gypsy Rainbow Dance Theater, Women's Resources, The Woman's Company, American Place Theatre, 13th Moon, New Victoria Publishers, Women Artist Filmmakers, Women in Film, Oakland Ensemble Theatre, Universal Jazz Coalition, Atlanta Women's Art Collective, Front Range, DC Slide Registry of Women Artists, Women in the Arts Foundation, Women In Design International, Creative Women's Collective, Olivia Records, Motion, At Foot of the Mountain, Spiderwoman Theatre, NY Feminist Art Institute, Women & Their Work, W.A.R.M., Concerted Effort, Pro Feminia Theatre, Calyx, TARTS, Teaching Artists To Reach Technological Savvy, Women's Work in Film & Video, Reauthorization of Foundation on the Arts and Humanities Act of 1985, women's cultural organizations, arts funding, NEA reauthorization, women in the arts, Congressional testimony, Women's Cultural Organizations and the NEA in the Early 1980s, New York, Los Angeles, Washington DC, Atlanta, Oakland, San Francisco, Brooklyn, Detroit, Minneapolis, Austin, Chicago, Boulder, Kansas City, Albany, Schenectady, Wakefield
Ariel Dougherty, Women’s Cultural Organizations & The NEA in the Early 1980s - Doc A
Ariel Dougherty, Women's Studio Workshop, WSW, NEA, National Endowment for the Arts, NEH, National Endowment for the Humanities, Heritage Foundation, The Woman's Building, Women's Graphic Center, National Association of Women Artists, TARTS, Teaching Artists To Reach Technological Savvy, United Women's Art Fund, Women's Work in Film & Video, women's cultural organizations, arts funding, NEA reauthorization, women in the arts, Los Angeles, Women's Cultural Organizations and the NEA in the Early 1980s
Kim Chan Remembers Celebrate 69
Kim Chan, Tim Miller, Holly Hughes, Karen Finley, John Fleck, Jan Rothschild, Charlotte Murphy, Bill Warrell, Penelope Boyer, Jim Epstein, Perry Jude, Alan Prokop, Debra Singer, Margaret Schnipper, Brian Tate, Tim Turner, Victoria Reis, Saied Azali, Finley, Hughes, Miller, Murphy, Washington Performing Arts, d.c. space, NAAO, National Association of Artists' Organizations, National Campaign for Free Expression, Washington Project for the Arts, WPA, 15 Minutes Club, Perrys Washington DC, Dance Place, National Gay and Lesbian Task Force, NGLTF, The DC Arts Center, DC Committee to Promote Washington, OUT/DC, Transformer, Siren Arts, Jacob's Pillow, The Kennedy Center, NEA Four, culture wars, free expression, censorship, Washington DC, Asbury Park
New Artspaces II: Beyond Survival, New Orleans, LA, 1981: Brochure mailer
“Prescription For a Healthy Art Scene” by Renny Pritikin
NAAO Untitled (Conference), Buffalo, NY, 1986: Agenda
OUT! T-Shirt: Fight for Homoerotic Art, Sexpression 1990
Celebrate 69: A Benefit for NAAO and the National Campaign for Freedom of Expression, 1990
On Edge: Alternative Spaces Today by Robert Atkins (1998)
Peter Taub, Paul Brenner, Geno Rodriguez, Ann Hatch, Ann Philbin, Helene Winer, Janelle Reiring, Kerry James Marshall, Jane Saks, Jeff Jones, Robert Crane, Holly Block, Cee Scott Brown, Anne Pasternak, Will Wilkins, Hilton Kramer, Jeff Gates, Xu Bing, Robert Blanchon, Leon Golub, Eve Laramee, Lauren Lesko, James Luna, Rosy Martin, Muntadas, Esther Parada, Carolee Schneemann, Andres Serrano, Rikrit Tiravanija, Cindy Sherman, Robert Longo, Taub, Bedoya, Serrano, Franklin Furnace, Randolph Street Gallery, NAME, Washington Projects for the Arts, WPA, Corcoran Gallery of Art, Capp Street Project, Alternative Museum, NAAO, Drawing Center, PS1, New Museum of Contemporary Art, 98 Greene Street, Apple, 112 Workshop, White Columns, New Langton Arts, DiverseWorks, Hallwalls, Nexus Contemporary Art Center, The Kitchen, Sushi, Aljira, Artists Television Access, Metro Pictures, Geraldine R. Dodge Foundation, Joyce Merz Gilmore Foundation, Art in General, Art Matters, Real Art Ways, MacArthur Foundation, Visual Studies Workshop, Art Papers, VIVA! Lesbian and Gay Latino Artists, Art FBI, COCA, Center On Contemporary Art, LACPS, Los Angeles Center for Photographic Studies, LACE, Los Angeles Contemporary Exhibitions, San Francisco Mime Troupe, Women's Philharmonic Orchestra, School of the Art Institute of Chicago, California College of Arts and Crafts, Pierogi, Artists Space, Civilian Warfare, Gracie Mansion, New York State Council on the Arts, Arts Challenge Fund, Creative Time, Spiderwoman Theatre, File Room, T-Race, P-Form, NEA Four, alternative spaces, arts funding, Culture Wars, NEA funding cuts, earned income, On Edge, Art in America, Chicago, New York, San Francisco, Houston, Buffalo, Hartford, Newark, Atlanta, Seattle, Los Angeles, Washington DC
NAAO Untitled (Conference), Buffalo, NY, 1986: Post-Conference Special FLASH Report
Charlotte Murphy, Hudson, Louise Shaw, Lynn Schuette, Marilyn Arsem, Claudia Barker, Gere Baskin, Jackie Battenfield, Biff Henrich, Alan Millar, Michael Peranteau, Judith Thorpe, Susan Wyatt, Michael Perri, Judy Moran, Jessica Cusick, Ariel Dougherty, Sue Schroeder, Guerrilla Girls, William Olander, Fletcher Mackey, Amalia Mesa-Bains, Susan Wheeler, Pat Oleszko, Nathan Lyons, Ric Amis, Colette Brooks, Tomas Ybarra-Frausto, Suzanne Lacy, Peter Jemison, Jolene Rickard, Eve Laramee, Loris Bradley, Michael Giza, MK Wegmann, Bernadette Brennen Hilt, Daniel Klepper, Carole Ann Klonarides, Michael Owen, Branda Miller, Michael Smith, Murphy, Hallwalls, C.E.P.A., MICA-TV, Albright Knox Art Gallery, NEA, National Endowment for the Arts, New York State Council on the Arts, ANNPAC/RACA, The Lab/the.art.re.grup, SPACES, New Langton Arts, 1708 East Main, American Indian Contemporary Arts, ART/COM/La Mammelle, The Artists Foundation, Artists Space, Artists Television Access, Eyes and Ears Foundation, Art Matters, Arts Midwest, Artspace, Arts Parts, Art Works, Austin Visual Arts Association, Bayfront Nato Center for the Arts, Beacon Street Gallery, Bronx Council on the Arts, C.A.G.E., Capp Street Project, Center for Puppetry Arts, Chicago Society of Artists, Contemporary Arts Center, Center for Contemporary Arts, Creative Time, Group Material, High Performance, Individual Artists of Oklahoma, Installation, Intersection for the Arts, John Michael Kohler Arts Center, Delaware Center for the Contemporary Arts, Detroit Focus, Diverse Works, LACE, Los Angeles Contemporary Exhibitions, Los Angeles Center for Photographic Studies, Los Angeles Institute of Contemporary Art, Lower Manhattan Cultural Council, Materials for the Arts, Arts for Transit, Mid-Atlantic Arts Consortium, Mid-America Arts Alliance, Minor Injury, Mobius, New York Foundation for the Arts, New York State Senate Culture Committee, Nexus Contemporary Art Center, Ohio State University Gallery of Fine Art, Opportunities for the Arts, Painted Bride Art Center, Printed Matter, Public Art Fund, Pyramid Arts Center, Randolph Street Gallery, Rotunda Gallery, San Francisco Camerawork, Santa Barbara Contemporary Arts Forum, Sculpture Space, Several Dancers Core, Society for Photographic Education, Society of Layerists in Multi-Media, Soundwork, Sushi, Video Data Bank, Visual Studies Workshop, W.A.R.M. Gallery, Washington Project for the Arts, WPA, White Columns, The Woman's Building, Women's Studio Workshop, Kamber Group, INTAR Latin American Gallery, INTAR, Hammarskjold Sculpture Garden, NAAO Untitled Conference, Consensus Trust Convention Model, Consensus Trust, alternative spaces, PSA, Buffalo, New York, Chicago, San Francisco, Los Angeles, New Orleans, Houston, Atlanta, Minneapolis, Boston, Washington DC
NAAO Bulletin – January-February-March 1987
Lyda Pola, Pat Anderson, Rebecca Krafft, Inverna Lockpez, Wendy Kesselman, Martha Wilson, Jock Reynolds, Anne Focke, Renny Pritikin, Anita Contini, Joy Silverman, Sharon Spencer, Cee Brown, Steven Cantrell, Alyson Pou, Douglas Wagner, Tony Devarco, Paul Berger, James Enyeart, Andy Grundberg, David Jacobs, Carol Kismaric, Mark Klett, Esther Parada, James Pomeroy, Martha Rosler, Alan Sekula, Carol Squiers, Evon Streetman, Anne Tucker, Frank Hodsoll, Gere Baskin, Fern Shaffer, Roberto Bedoya, Susan Wheeler, Victor Sorell, James Alinder, Ellen Thurston, Paul Carlson, Lockpez, Hodsoll, INTAR Latin American Gallery, INTAR, Artists Space, Franklin Furnace, Washington Project for the Arts, WPA, Works Progress Administration, and/or, New Langton Arts, Creative Time, Los Angeles Contemporary Exhibitions, LACE, Social and Public Art Resource Center, SPARC, NEA, National Endowment for the Arts, Arts Midwest, Illinois Arts Alliance, New York Department of Cultural Affairs, Artemisia, National Alliance of Media Arts Centers, NAMAC, Friends of Photography, Academia Nacional de San Alejandro, Ansel Adams Center, John M. Olin Foundation, Dia Arts Foundation, Pollock-Krasner Foundation, Detroit Focus, Printed Matter, Newton Arts Center, University Center at Binghamton, Partners for Livable Places, University of Massachusetts Arts Extension Service, Opportunities for the Arts, NAAO Midwest Regional Conference, NAAO Western Region Conference, Fifth Annual Criticism Workshop, Dialogue Criticism Workshop, First National Sculpture Conference, Advancement Program, Artists File, NAAO Directory, NEA Arts Management Fellowship Program, Advancement grants, artists' slide registry, proportional representation, NEA panels, arts funding, foundations, alternative spaces, New York, Chicago, San Francisco, Washington DC, Los Angeles, Cincinnati, Binghamton, Cuba, Funding for Artists and How It Got That Way, Taking Ourselves Seriously, Proportional Representation of Women on NEA Panels
NAAO Bulletin – April-May-June 1987
Antonio Petracca, Jason Tannen, Pat Anderson, Rebecca Krafft, Charlotte Murphy, Inverna Lockpez, Louise Shaw, Lynn Schuette, Marilyn Arsem, Jessica Cusick, Susan Born-Ozment, Kim Haddow, Jody Haddow, Douglas Haddow, Michael Faubion, Nathan Lyons, Claudia Barker, Judith Teitelman, Gary Larson, Steven Benson, Andrea Einsley, Jeanne Lakso, Charles Cooper, Julie Fehrenbach, Elise Ferguson, Edsel Reid, Peter Taub, Jose Gonzalez, Rose Austin, Martha Winans, Mary Clark, Gere Baskin, Fern Shaffer, Nancy Steinmeyer, Jesus Negrete, Richard Andrews, David Fraher, Alene Valkanas, Susan Wheeler, Victor Sorell, Molly Jolly, Don Adams, Carolyn Berry, Robert Haywood, Karen Kleinfelder, Paul Laster, Alexander Lemski, Ruby Lerner, Rosanne Martin, Yvette Martini, Dmitri Matheny, Jean McLaughlin, Andy Ostheimer, Carla Peterson, Joseph Sanchez, Barbara Sexton, Susan Shutan, Daniel Tisdale, Murphy, Lockpez, Pyramid Arts Center, C.A.G.E., Cincinnati Artists' Group Effort, NEA, National Endowment for the Arts, NYSCA, New York State Council on the Arts, WPA, Works Progress Administration, Arts Midwest, Artemisia, INTAR Latin American Gallery, Beacon Street Gallery, Randolph Street Gallery, Detroit Focus, Visual Studies Workshop, Illinois Arts Alliance, C.A.I.D., Contemporary Arts Institute of Detroit, Mexican Cultural Institute, Mirarte Magazine, Printed Matter, LACE, Los Angeles Contemporary Exhibitions, Contemporary Arts Center, Hallwalls, Ohio Arts Council, Eastman Kodak, International Museum of Photography, Rochester Institute of Technology, Eastman School of Music, School for American Craftsmen, Genesee Early Music Guild, Writers & Books, Portable Channel, ROCLA, Rochester Committee on Latin America, Deaf Artists of America, National Technical Institute for the Deaf, NTID, Mid Atlantic Arts Foundation, Mendel Art Gallery, ACUCAA, Association of College University and Community Arts Administrators, Artspace, Artists' Alliance, Art Research International, Artists' Television Access, ATA, Asian American Dance Theatre, Asian Arts Institute, Bayfront Nato Center for the Arts, CARFAC, Canadian Artists' Representation, Le Front des Artistes Canadiens, Center for Arts Information, Centro Cultural de la Raza, The Clocktower, The Fabric Workshop, Gallery Route One, Headlands Art Center, Light Work, Community Darkrooms, New York Foundation for the Arts, Northwest Artists Workshop, Paper Press, P.S. 122, Soundwork, Temple Gallery, Yellow Springs Institute, Circuit Breakers Festival, ROCLA Festival, C.A.G.E. X-mas Bizarre, Pyramid Soup Kitchen, NAAO West Coast Regional Conference, Midwest Regional Conference, Alternative Spaces Collaborate, NEA Visual Arts Residency Program, NAAO Directory, TVC.A.G.E., Pipsqueaks and Whirligigs, Tugging the Worm, fiscal agent, arts funding, alternative spaces, arts education, Rochester, Cincinnati, Chicago, Detroit, Washington DC, San Francisco, Los Angeles, Finger Lakes
NAAO Commissioned Report, “Comprehensive Organizational Assistance for Artists’ Organizations” by Ruby Lerner – January/February 1988
NAAO Bulletin – March-April 1988
Rebecca Krafft, Charlotte Murphy, Susan Born-Ozment, Biff Henrich, Jeff Hoone, Mo Bahc, Jackie Battenfield, Nilda Peraza, Susan Wheeler, Robert Gaylor, M.K. Wegmann, Rebecca Lewis, Margo Machida, Michael Faubion, Tamara Blaschko, Richard Siegesmund, Rene Yanez, Frank Hodsoll, Joseph Brodsky, Paul DiMaggio, Linda Klosky, Michael Freeman, Rick Hernandez, Jason Tannen, Adnan King, Laurie Anderson, National Endowment for the Arts, NEA, Center for Contemporary Arts of Santa Fe, Santa Fe Chamber Music Festival, Santa Fe Arts Commission, Santa Fe Arts Alliance, Philip Glass Ensemble, New Mexico Arts Division, New York State Council on the Arts, NYSCA, Smithsonian Institution, The Association of American Cultures, TAAC, Austin Visual Arts Association, DiverseWorks, Jump-Start Performance, Lawndale Art and Performance Center, Society of Layerists in Multi-Media, Texas Fine Arts Association, Texas Commission on the Arts, LAICA, A.I.R. Gallery, Boulder Center for the Visual Arts, Community Education Center, The Dance Place, Intermedia Arts Minnesota, Michigan Gallery/Michigan Avenue Art Group, New Hampshire Art Association, Ammo Artists Exhibition, Arts Midwest, The Glassell School of Art, Museum of Fine Arts Houston, National Association for the Visual Arts, University of Texas at Dallas, Geoffrey Taber Gallery, White Walls, XS Gallery, International Sculpture Center, Sculpture Source, WPA Bookworks, Women's Workshop, Foundation for Today's Art, NEXUS, Pittsburgh Filmmakers, Mid-Atlantic Arts Foundation, California Arts Council, Southwest Craft Center, Pyramid Arts, WARM Gallery, Southern Arts Federation, Foundation for Art Resources, FAR, American Association of Museums, Washington Project for the Arts, Maryland Art Place, School 33 Art Center, Fabric Workshop, Beacon Street Gallery, Rockefeller Foundation, New ArtSpaces Conference, Hispanic Arts Summit, Mountain/Plains Regional Conference, cultural diversity, multiculturalism, Hispanic arts, NAAO Bulletin, Visual Arts Program, New York, Washington DC, Houston, Philadelphia, Minneapolis, San Antonio, Detroit, Santa Fe, Cincinnati, Brooklyn, Columbus, Boulder, Manchester, Carson City, Puerto Rico
NAAO Flash – June 1989
Inverna Lockpez, Michael Peranteau, Marilyn Arsem, Dan Wasil, Claudia Barker, Gere Baskin, Jackie Battenfield, Roberto Bedoya, Sherman Fleming, Rudy Guglielmo, Biff Henrich, Alice Lovelace, Alan Miller, Jason Tannen, Susan Wyatt, William Buckley, Kimberly Camp, Kim Haddow, John Moore, Charlotte Murphy, Jan Ellenstein, Jane Bedula, Sidney Yates, Ralph Regula, John Murtha, Norman Dicks, Les AuCoin, Tom Bevill, Chester Atkins, Joseph McDade, Bill Lowery, Robert Byrd, James McClure, Bennett Johnston, Patrick Leahy, Dennis DeConcini, Quentin Burdick, Dale Bumpers, Ernest Hollings, Harry Reid, Ted Stevens, Jake Garn, Thad Cochran, Mark Andrews, Warren Rudman, Arlen Specter, Pete Domenici, Don Nickles, Daniel Patrick Moynihan, Jesse Helms, Helms, Andres Serrano, Serrano, Robert Mapplethorpe, Mapplethorpe, Christina Orr-Cahall, James Fitzpatrick, Jock Reynolds, Anne Murphy, Richard Armey, Hugh Southern, Pat Robertson, Michael Stout, National Endowment for the Arts, NEA, INTAR Multicultural Art Gallery, INTAR, DiverseWorks, Mobius, Arts Council of New Orleans, Detroit Focus, The Rotunda Gallery, Intersection for the Arts, THE LAB/the art.re.grup, C.A.G.E., Artists Space, Arizona Council for the Arts, CEPA Gallery, The Arts Exchange, Experimental Gallery-Smithsonian Institution, Greer Margolis Mitchell and Associates, Washington Project for the Arts, Corcoran Gallery of Art, American Family Association, Christian Broadcasting Network, National Committee Against Censorship in the Arts, Robert Mapplethorpe Foundation, Phillips Collection, District of Columbia Arts Center, Piss Christ, The Perfect Moment, freedom of expression, censorship, First Amendment, Helms amendment, NEA reauthorization, NAAO Flashes, New York, Washington DC, Houston, Boston, San Diego, New Orleans, Detroit, Brooklyn, San Francisco, Phoenix, Buffalo, Atlanta, Cincinnati, Winston-Salem
NAAO Flash – August 16, 1989
Sidney Yates, John Murtha, Norman Dicks, Les AuCoin, Tom Bevill, Chester Atkins, Ralph Regula, Joseph McDade, Bill Lowery, James McClure, Ted Stevens, Jake Garn, Thad Cochran, Warren Rudman, Don Nickles, Robert Byrd, Bennett Johnston, Patrick Leahy, Dennis DeConcini, Quentin Burdick, Dale Bumpers, Ernest Hollings, Harry Reid, Claiborne Pell, Howard Metzenbaum, Spark Matsunaga, Christopher Dodd, Barbara Mikulski, Nancy Kassebaum, James Jeffords, Orrin Hatch, Strom Thurmond, Major Owens, Matthew Martinez, Donald Payne, Jim Jontz, Augustus Hawkins, Steve Bartlett, Cass Ballenger, Peter Smith, James Fitzpatrick, Anne Murphy, Jesse Helms, Helms, Andres Serrano, Serrano, Robert Mapplethorpe, Mapplethorpe, National Endowment for the Arts, NEA, National Endowment for the Humanities, NEH, National Gallery of Art, Arnold & Porter, American Arts Alliance, Southeastern Center for Contemporary Art, SECCA, Institute of Contemporary Art, University of Pennsylvania, Los Angeles Contemporary Exhibitions, LACE, Art Positive, Helms amendment, freedom of expression, First Amendment, censorship, NEA reauthorization, NAAO Flashes, Washington DC, Winston-Salem, Philadelphia, New York, Los Angeles
6th NAAO Conference, Minneapolis, 1989: Announcement + Advocacy Alert
NAAO Bulletin – August 1989
Inverna Lockpez, Michael Peranteau, Marilyn Arsem, Dan Wasil, Claudia Barker, Gere Baskin, Jackie Battenfield, Roberto Bedoya, Sherman Fleming, Rudy Guglielmo, Biff Henrich, Alice Lovelace, Alan Miller, Jason Tannen, Susan Wyatt, William Buckley, Kimberly Camp, Kim Haddow, John Moore, Charlotte Murphy, Penny Boyer, Jan Ellenstein, Jock Reynolds, Philip Brookman, James Fitzpatrick, Hugh Southern, James F. Cooper, Loris Bradley, Sam Lipman, David Avalos, Jane Allen, Linda Frye Burnham, Richard Serra, Lou Harris, Karen Finley, Finley, Holly Hughes, Hughes, Tim Miller, Guillermo Gomez-Peña, John Frohnmayer, Frohnmayer, Jesse Helms, Helms, Andres Serrano, Serrano, Robert Mapplethorpe, Mapplethorpe, Richard Armey, Jacob Neusner, National Endowment for the Arts, NEA, INTAR Multicultural Art Gallery, INTAR, DiverseWorks, Detroit Focus, The Rotunda Gallery, Intersection for the Arts, THE LAB/the art.re.grup, Arts Council of New Orleans, ANNPAC/RACA, Alliance for Cultural Democracy, Border Arts Workshop, HIGHWAYS, Walker Art Center, Hirshhorn Museum, Whitney Museum of American Art, National Portrait Gallery, Artforum, High Performance, C.A.G.E., Washington Project for the Arts, Artists Space, Corcoran Gallery of Art, Contemporary Arts Center, Visual AIDS, Mobius, CEPA Gallery, The Arts Exchange, Experimental Gallery-Smithsonian Institution, Greer Margolis Mitchell and Associates, Arizona Commission on the Arts, National Gallery of Art, American Council for the Arts, ACA, Southeastern Center for Contemporary Art, SECCA, National Gay and Lesbian Task Force, NGLTF, Library of Congress, The Perfect Moment, Piss Christ, Tilted Arc, X Portfolio, Bastille Day Discussion, Day Without Art, NAAO Bulletin, freedom of expression, censorship, First Amendment, NEA reauthorization, Helms amendment, New York, Houston, Boston, San Diego, New Orleans, Detroit, San Francisco, Phoenix, Buffalo, Atlanta, Cincinnati, Washington DC, Chicago, Los Angeles, Minneapolis, Brooklyn, London
NAAO Bulletin – April 1990
Roberto Bedoya, Holly Block, Pat Murphy, Rudy Guglielmo, Dan Wasil, Marilyn Arsem, Cee Brown, Biff Henrich, Alice Lovelace, Katherine Marczuk, Betty Napolitan, Sylvia Orozco, Fred Wilson, Paul Wittenbraker, Jason Tannen, Sherman Fleming, Charlotte Murphy, Penny Boyer, Mary Drayton-Hill, Bettina Bell, Chris Westberg, William Buckley, Kimberly Camp, Kim Haddow, John Moore, Susan Wyatt, Elizabeth Murray, Eric Fischl, Larry McMurtry, Bill Viola, Judy Baca, Alfonse D'Amato, D'Amato, Richard Armey, Armey, Ron Silver, Gordon Davidson, Gerald Blatherwick, Fred Lazarus, Carol Becker, Scott Tyler, David Nelson, Harold Washington, Monty Lobb, Jerry Kirk, Chad Wick, Charles Luken, Ruth Weisberg, Carl Rubin, Edward Donnellon, Robert Byrd, Claiborne Pell, Strom Thurmond, Robert Garfias, Roger Mandle, Marcia Laing Golden, Christina Orr-Cahall, Leonard Bernstein, Elizabeth Sico, Lynne Cheney, Joseph Papp, Bruce Fein, John Frohnmayer, Frohnmayer, Jesse Helms, Helms, Karen Finley, Finley, Holly Hughes, Hughes, John Fleck, Dana Rohrabacher, David Wojnarowicz, Joy Silverman, Inverna Lockpez, Andres Serrano, Serrano, Robert Mapplethorpe, Mapplethorpe, David Baker, Phyllis Berney, Sally Brayley Bliss, Nina Brock, Phyllis Curtin, Joseph Epstein, Helen Frankenthaler, Roy Goodman, Mel Harris, Margaret Hillis, Bob Johnson, M. Ray Kingston, Ardis Krainik, Harvey Lichtenstein, Wendy Luers, Talbot McCarty, Arthur Mitchell, Carlos Moseley, Jacob Neusner, Lloyd Richards, Jocelyn Levi Straus, James Wood, John Brademas, Kitty Carlisle Hart, Leonard Garment, Kay Goodwin, Joan Harris, Peter Kyros, Charles McWhorter, Rosalind Wyman, John Agresti, Theresa Bernardi, National Endowment for the Arts, NEA, National Campaign for Freedom of Expression, NCFE, Art in General, Beacon Street Gallery, Arizona Commission for the Arts, Mobius, Creative Time, CEPA Gallery, Center on Contemporary Art, MEXIC-ARTE Multi-Cultural Works, Bronx Council on the Arts, Urban Institute for Contemporary Arts, The Arts Exchange, Florida Center for Contemporary Art, Los Angeles Contemporary Exhibitions, LACE, C.A.G.E., Citizens for Community Values, CCV, Robert Mapplethorpe Foundation, College Art Association, CAA, National Council on Education in the Ceramic Arts, NCECA, 700 Club, Corcoran Gallery of Art, MARS, Art Matters, Princeton's Institute for Advanced Study, National Gallery of Art, New York Shakespeare Festival, Festival Latino, Movement Research, Chicago Symphony Chorus, School of the Art Institute of Chicago, COCA, American Council for the Arts, Maryland Institute College of Art, SPARC, Washington Project for the Arts, Southern Exposure, Contemporary Arts Center, Artists Space, Greer Margolis Mitchell and Associates, Experimental Gallery-Smithsonian Institution, Theatre Communications Group, American Civil Liberties Union, ACLU, Brooklyn Academy of Music, Yale Repertory Theatre, Yale School of Drama, Art Institute of Chicago, Dance Theatre of Harlem, Lyric Opera of Chicago, San Antonio Performing Arts Association, Indiana University School of Music, Charter 77 Foundation, Joffrey II Dancers, Missouri Arts Council, The Perfect Moment, Piss Christ, Piss Helms, X Portfolio, 7th NAAO Conference, NAAO Bulletin, NAAO Flashes, NAAO Directory, Update Dance USA, OBSCENE ART IS AN OXYMORON, NEA reauthorization, freedom of expression, censorship, First Amendment, obscenity pledge, peer panel process, NEA 4, Helms amendment, Washington DC, New York, Chicago, Los Angeles, Cincinnati, San Francisco, Phoenix, Atlanta, Boston, Buffalo, Austin, Tampa, Seattle