NAAO Bulletin – October 1991

Roberto Bedoya, Holly Block, Pat Murphy, Marilyn Arsem, Cee Brown, Jeff Gates, Rudy Guglielmo, Keith Antar Mason, Joe Matuzak, Betty Napolitan, Julyen Norman, Sylvia Orozco, Fred Wilson, Jon Winet, Charlotte Murphy, Penny Boyer, Jim Fitzpatrick, Jesse Helms, William Dannemeyer, Jock Sturges, Marlon Riggs, Robert Byrd, Sidney Yates, Mark Hatfield, Jamie Whitten, Robert Peck, Guy Yarden, Catherine Edwards, Richard Elovich, Larry Baden, Michael Weiser, Tom Kalin, Sali Ann Kriegsman, David Avalos, Craig Freeman, Louis Hock, Elizabeth Sisco, Deborah Small, Karen Finley, John Fleck, Holly Hughes, Tim Miller, John Frohnmayer, Jocelyn Strauss, Harvey Lichtenstein, Jim Wood, Helen Frankenthaler, Lloyd Richards, Sally Bliss, Arthur Mitchell, Carlos Moseley, Joseph Epstein, Phyllis Curtin, Wendy Luers, Ardis Krainik, Nina Brock, Jacob Neusner, Julianne Davis, Mary Dorman, Ellen Yaroskevsky, Nan Hunter, Marjorie Heins, Paul Hoffman, Carol Sobel, Jon Davidson, David Cole, Philip Arnout, Wickham Boyle, Vince Anthony, Andrews, Kingston, Rand, Mac Carthy, Richard Schechner, Esther Novak, Joel Snyder, Ellie Covan, Leslie Southwick, Art in General, Beacon Street Gallery, Beacon Street Gallery & Theatre, Mobius, Creative Time, ArtFBI, Artists for a Better Image, Arizona Commission on the Arts, High Performance, Buckham Gallery, 1708 East Main, Mexic-Arte, Bronx Council on the Arts, Southern Exposure Gallery, XS Gallery, National Endowment for the Arts, NEA, National Council on the Arts, Movement Research, Christian Coalition, National Campaign for Freedom of Expression, NCFE, American Civil Liberties Union Foundation, ACLU, Center for Constitutional Rights, Installation Gallery, Theater Project, Knoxville Village Festival, La MaMa, Center for Puppetry Arts, Walker Arts Center, Lincoln Center, North Carolina Dance Theater, Department of Performance Studies, New York University, Art Matters, New York State Council on the Arts, NYSCA, Department of Justice, Visual AIDS, Deep Dish TV, The Kitchen, Andy Warhol Foundation for Visual Arts, Pew Charitable Trusts, Texas Commission on the Arts, Recording Industry Association of America, RIAA, Meet the Composer, Arts Center Gallery, CSPS, Kansas City Artists Coalition, Acme Art Company, John Michael Kohler Arts Center, Dinnerware Artists' Cooperative Gallery, D-Art Visual Art Center, Delaware Center for Contemporary Arts, Danforth Gallery, Howard County Center for the Arts, Maryland Art Place, Rosenberg Gallery, the Space, Center for Photography at Woodstock, Visual Studies Workshop, Painted Bride Art Center, Artspace, Memphis Center for Contemporary Art, Arlington Arts Center, Centro Cultural de la Raza, Headlands Center for the Arts, Highways, Los Angeles Center for Photographic Studies, LACPS, San Francisco Art Institute, San Francisco Arts Commission Gallery, Santa Barbara Contemporary Arts Forum, Social and Public Arts Resource Center, SPARC, Sushi Performance and Visual Art, Sushi, Asian American Arts Centre, Dixon Place, Franklin Furnace, INTAR Gallery, Newhouse Center for Contemporary Art, Painting Space 122, Performance Space 122, Public Art Fund, Rotunda Gallery, Multi-Site Collaborations Program, Rust v. Sullivan, Finley v. National Endowment for the Arts, Helms Amendment, content restriction, decency standard, arts censorship, First Amendment, NEA 4, gender performance, Performance Journal, nonprofit lobbying, Day Without Art, World AIDS Day, Night Without Light, Inter-Arts Program, Presenting and Commissioning Program, Immigration Act of 1990