NAAO Bulletin – Fall 1988

Charlotte Murphy, Rebecca Krafft, Susan Born-Ozment, Inverna Lockpez, Michael Peranteau, Marilyn Arsem, Dan Wasil, Claudia Barker, Gere Baskin, Jackie Battenfield, Sherman Fleming, Biff Henrich, Alice Lovelace, Allan Millar, Jason Tannen, Susan Wyatt, Roberto Bedoya, Rudy Guglielmo, John Moore, Lynn Schuette, Louise Shaw, David Avalos, Judith Thorpe, William Buckley, Kim Haddow, Mary Schmidt Campbell, Richard Koshalek, Joy Silverman, Gail Mishkin, Renny Pritikin, Humberto Cintron, Anne Focke, Leonard Hunter, Mary Jane Jacob, Felipe Ehrenberg, Holly Barnett Sanchez, Alan Sekula, Gary Squire, Jero Nesson, Leonard Skuro, Ella King Torrey, John Paul Batiste, Steven Durland, Dennis Phillips, Michael Faubion, Lisa Levine, Paul Carlson, Catherine Lord, Carol Becker, Martha Fleming, Lynne Lapointe, Frederick Fisher, Carl Stone, Paula Terry, Riva Akinshegun, Patrick Farley, Walter Hackman, K.D. Kurtz, Philip Yenawine, Andrea Fraser, Andrea Juno, Amalia Mesa-Bains, Tim Rollins, Lynne Sowder, Martin Kersels, Jeffery Keedy, Frances Balcomb, Terry Whitney, Anne Bray, Bruce Yonemoto, Michael Weiser, Donald Russell, Ann Walton Sieber, Judy Moran, M.K. Wegmann, Loris Bradley, Ellen Buchwalter, John Malpede, Jeanne Finley, Jerry Beck, James Beniger, Veronica Enrique, Howard Singerman, Terry Wolverton, Leon Lilly, Raymond Williams, Kiken Chin, John Fleck, Guillermo Gomez-Peña, Hudson, Orson Maquelani, Celeste Miller, Christine Tamblyn, Joyce Scott, Kay Lawal, Lyn Blumenthal, Sue Maberry, Glenn Weiss, Shash Slettebbak, Holly Block, Jane Brite, Julyen Norman, Jeff Gates, Jerry Yoshitomi, Heather Tunis, Tom Borrup, Linda Albertano, Francis Brown, Fay Chiang, Elizabeth Crounse, Steve Engle, Bettina Fink, Nancy Galeota-Wozny, Jane Gallagher, Colleen Kenimond, Eve Laramee, Frances Montgomery, Terry Niedzialek, Julius Vitali, Larry Phillips, Arlene Rush, Louise Steinman, Loretta Thomas, Carey Thornton, Ann Weisman, Los Angeles Contemporary Exhibitions, LACE, Temporary Contemporary, INTAR Latin American Gallery, INTAR, Diverseworks, MOBIUS, Installation, Contemporary Arts Center, Detroit Focus, The Rotunda Gallery, Washington Project for the Arts, WPA, CEPA, Hallwalls, The Arts Exchange, The Art Re Grup, The Lab, CAGE, Artists Space, ArtistSpace, Intersection for the Arts, MARS Artspace, Nexus Contemporary Arts Center, Museum of Contemporary Art, MOCA, Galeria de la Raza, Centro Cultural de la Raza, New Langton Arts, School of the Art Institute of Chicago, California Institute of the Arts, Cal Arts, Pew Charitable Trusts, The Association of American Cultures, TAAC, High Performance, Beyond Baroque, National Endowment for the Arts, NEA, Les Petites Filles Aux Allumettes, Mothers of Medusa, Meet the Composer, Crocker Art Museum, Museum of Modern Art, MoMA, ReSearch Publications, San Francisco Unified School District, Kids of Survival, KOS, First Bank of Minneapolis, Peter Tagger Associates, DiverseBooks, Art Resources International, Rockefeller Foundation, Los Angeles Poverty Department, LAPD, Revolving Museum, San Francisco Art Institute, San Francisco State University, Annenberg School of Communications, University of Southern California, USC, Los Angeles Center for Photographic Studies, LACPS, New York City Department of Cultural Affairs, Whites Old Town Gallery, Otis/Parsons School of Design, Sushi, Society of Photographic Education, California Arts Council, Watts Towers Art Center, Social and Public Arts Resource Center, SPARC, The Woman's Building, Self-Help Graphics, Santa Monica Museum of Art, Cirrus Gallery, Los Angeles Artists' Organizations, LAAO, Thunderthigh Revue, Arts Midwest, Consortium for Pacific Arts and Cultures, Mid-America Arts Alliance, New England Foundation for the Arts, Southern Arts Federation, Western States Arts Federation, Video Data Bank, Heresies Collective, 911, Artists for a Better Image, ArtFBI, Japanese American Cultural and Community Center, Association of College, University and Community Arts Administrators, ACUCAA, First International Women Playwrights Conference, Center for Arts Criticism, School 33 Art Center, Southwest Alternative Media Project, SWAMP, Painted Bride Art Center, Intermedia Arts Minnesota, Artists for Tax Equity, AFTE, Art in General, Institute for Art and Urban Resources, 1708 East Main, Maryland Art Place, Fabric Workshop, Performance Space 122, Lightwork, Randolph Street Gallery, San Francisco Camerawork, SPACES, Astro Artz, Harry's Foundation, More Productions, Mid-Atlantic Arts Foundation, North Carolina Arts Council, Village Voice, SUNY Buffalo, Visual Studies Workshop, Afterimage, Fuse, Framework, The Independent, Video Guide, Bay Area Video Coalition, Video Network, Women Make Movies, Third World Newsreel, Global Village, The CAT Fund, California Newsreel, Direct Cinema, Le Videographe, London Video Arts, Albany Video, V-Tape, Paper Tiger Television, Video Out, Electronic Arts Intermix, The Kitchen, Art Metropole, American Film Institute, AFI, Alchemedia Poets Circle, Big River Association, Central Indiana Writers' Association, Federation of British Columbia Writers, Hellgate Writers, Illinois Writers, International Black Writers' Conference, International Poetry Forum, Just Buffalo, Konglomerati Foundation, Lane Literary Guild, The Literary Center, The Loft, Maine Writers and Publishers, Manitoba Writers' Guild, North Carolina Writers Network, Niagara Area Writers, 92nd Street Y, Ninety-Second Street YM/YWCA, Poetry Project at St. Mark's Church, Poetry Resource Center of Michigan, Poets and Writers, Poets House, San Jose Poetry Center, Saskatchewan Writers Guild, Tar Heel Writer's Roundtable, The Thurber House, Walt Whitman Center, Whittier Writers' Workshop, Woodland Pattern Book Center, Writer's Bookstore and Haven, The Writer's Voice, The Writer's Center, Writers Resource Center, Writers and Books, Writers in Performance, Writers' Organization of Nova Scotia, National Association for the Visually Handicapped, National Committee Arts with the Handicapped, Bridge Center for Contemporary Arts, Bronx Museum of the Arts, Satellite Galleries, The Cactus Foundation, Center on Contemporary Art, COCA, Crash Arts, Dinnerware Artists' Cooperative Gallery, Exploratorium, Galeria Chaparral, The Iowa Designer Crafts Association, Life on the Water, New American Makers, Sincere Technologies, The Space, Tulsa Artists' Coalition, Walker Point Center for the Arts, Anti-Graffiti Network, California State University Arts Administration Program, City of Huntington Beach Arts and Cultural Affairs, College Art Association of America, CAA, Dancing Hands Productions, Delaware Center for Contemporary Arts, Figure Ground, Nightfire Theater, San Francisco Arts Commission Gallery, South Florida Art Center, The University of Texas at Dallas, Water Tower Art Association, Greer Margolis Mitchell, Los Angeles, Minneapolis, St. Paul, Port Huron Statement, feminism, live/work space, arts education, postmodernism, NEA Audit, video art, new music, literary arts, disability access, Section 504, direct mail, membership development, Tax Reform Act of 1986, Moynihan-Bradley Bill